Showing posts with label Bangalore. Show all posts
Showing posts with label Bangalore. Show all posts

5 Nov 2019

Art Bengaluru 2019 – Festival of Contemporary Art

Art Bengaluru 2019 - Ongoing at UB City

Art Bengaluru 2019 returns in its 9th edition and brings together 21 reputed artists from across the world including USA, Netherlands, France and Saudi Arabia with almost 200 works of art. Spread across various floors in the mall, the art has integrated beautifully with the interior design and architectural elements. The works encompass a range of styles, genres and media - paintings, hand-blown glass sculpture, installations, video projects, 3D printed sculpture, photography, mixed media and digital art are currently on display throughout The Collection, UB City.

The launch of the almost month long festival on 2nd November was a spectacular affair with a scintillating musical performance by the Bangalore City Chamber Orchestra.
MajesticForest - Daan Oude Elferink (Netherlands) Art Bengaluru 2019
Majestic Forest - Daan Oude Elferink (Netherlands) Art Bengaluru 2019 


The curatorial premise extends its range from the previous year and focuses on storytelling and figuration primarily, at the same time it attempts to draw narratives from across the country as well as internationally. It plays with scale and space to enhance the viewing experience.

The ground floor comes alive with dramatic works by the well known Dutch photographer Daan Oude Elferink, which capture the glory of abandoned and long forgotten places. Buildings, relics and deserted industrial facilities narrate poignant stories of life gone by.
Title-MANTODEA_PRAYINGMANTIS-Size-137_cm_X_137_cm_X_9_cm - Haribabu Natesan
MANTODEA PRAYINGMANTIS by Haribabu Natesan
On another floor, Haribaabu Naatesan’s large format mixed media works made out of industrial waste and scrap are a comment on consumerism and urbanization. He elaborates, “I want my artworks to provoke people to think about the materials they consume; when they discard a cycle or computer, when they re-decorate their homes, they must be aware of how much junk they are creating.”

Masked_Reality_Interactive -  By artificial intelligence (A.I) and new media artist, Harshit Aggarwal
Masked_Reality  By Harshit Aggarwal
In the IT capital of the country, technology, artificial intelligence and data science and its application predominates and art created utilizing these concpets will intrigue the viewer. New media artist Harshit Agrawal explores the ‘human-machine creativity continuum’- the melding of human and machine creative agency. He uses machines and algorithms and often creates them as an essential part of his art process. He often juxtaposes traditional art media and tools along with machines and computation, creating a space to both direct, and be guided by the machine.
2018-BetweentheRealities- R M Palaniappa (02)
Between the Realities  R M Palaniappa

Do not miss senior artist R M Palaniappan’s exhibition at Sublime Galleria on the 8th floor, which features his collection of works that explore the line, its movement and spatial connotations. The notion of time and space, the experience of space and the materiality of the universe map imaginary trajectories of physical and psychological terrains. His interest in art, science and psychology meld effortlessly.
Watch out for art by the Bangalore based Pradeep Kumar D M, R Rekha Krishnamurthy and Venugopala H S. Also for works by Anil Ijeri, Anni Kumari, Chandrahas Y Jalihal, Hariram V Harsh Nowlakha, Sruthi S Kumar and Vijit Pillai. The other international artists include Afra Khan, Jordan Sitzer and Pierre Poulain.

Untitled - Pradeep Kumar D M
Untitled - Pradeep Kumar D M

Speaking about the evolution of Art Bengaluru, Ms. Uzma Irfan – Founder -Sublime Galleria & Director - Prestige Group explains, “Nine years ago, we had conceptualised Art Bengaluru as a dedicated festival for the arts. Ever since, it has been a trailblazer event, a celebration of art, culture and luxury, on par with the finest art shows across the globe. Our constant effort has been to put Bengaluru on the map of the international art world, and give India’s rich and diverse culture the global platform it deserves.”

Abhishek Naidu, Curator of Art Bengaluru elaborates, “A new generation of collectors are on the rise who are looking at platforms like Art Bengaluru to engage with some of the best emerging and established artists from India and beyond. Over the last decade, Art Bengaluru has played a pivotal role in forging spirited bonds between artists, galleries, art collectors and art enthusiasts, not only across India, but also in New York, Beijing, Paris, Amsterdam and other international locations. With Art Bengaluru 2019, we wish to further strengthen these bonds and boost the outlook for the Indian art market.”

There is a BIT of you in some BIT of me Acrylic on canvas 5X4 feet2018 - Anni Kumari
There is a BIT of you in some BIT of me byAnni Kumari

Incidentally, the festival will also feature over a dozen talks, workshops, curated walks and other art experiences, including a feature Film Bengaluru – an International Film Festival organized in partnership with the UNESCO MGIEP focusing on the theme, 'Kindness Matters' from 14 – 17 November 2019.

Upcoming is also a workshop organized by OnePlus for smartphone users which will be conducted by the well known artist, Pallon Daruwala, who will show people how to take great photographs on their smartphones. The workshop will take place on Saturday - 23 November 2019 from 10am – 1pm.


Art Bengaluru at UB City, Vittal Mallya Road, 11am onwards is on till November 30.

More details on Art Bengaluru 2019 here http://www.artbengaluru.in/

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1 Aug 2019

Linear Perspective by Shirley Mathew

Perspectives on Urbanization

Linear Perspective, solo show by Shirley Mathew, Art scene indiaShirley Mathew's recent series of paintings 'Linear Perspective' is in response to the changing landscape of Bangalore. Watching the rapid pace of urbanization and the receding green cover, she wonders about the collateral damage which is happening at the cost of development. 

Living in Bangalore, Shirley has watched how the city has transformed over the years – from the Garden city that it used to be, to where it is now. The paintings are an effort to highlight this concern and to draw attention to the transformation, and at the same time mobilize citizens towards positive action. It is also an ode to those green warriors who strive hard to save the remaining trees, and to those who actively take up greening initiatives.


Linear Perspective, solo show by Shirley Mathew, Art scene indiaShirley’s works are based on abstract expression, deploying bold lines and varying the intensity of colours to demarcate the linear outlines of trees and foliage. She employs mixed media in her works to delineate perspectives and accentuate textures. The collection of black and white works highlight the fragile state of the environment, its negative connotations and to raise the question of survival of trees and of foliage in any urban space.

The artist elaborates, “I invite the viewer to imagine the lines of nature created on handmade paper along with mixed medium on paper and canvas. With intermingling tree lines, I have attempted to express the angst of full grown old trees being endangered, in the name of urban development yet shown rays of hope in brush strokes and composition, as a message for more awareness to save green in nature.”

Linear Perspective, solo show by Shirley Mathew, Art scene india
Shirley hopes to raise awareness about this issue, which is critically placed now, and has far reaching impacts, ranging from climate change to availability of water. The collection of works is as much about painting a grim picture of reality as it is of optimism, affirming hope of immediate actions which can positively affect the future.

She offers an ode to the groups of concerned citizens from all walks of life who have dedicated their time and immense efforts to save existing trees and to those who have initiated planting of saplings. The linear perspective of trees alludes to the undeviating passage of time and its metamorphosis.


Linear Perspective, solo show by Shirley Mathew, from 3rd - 18th August 2019 at MKF Museum of Art, 55/1 Isha Villa, Lavelle Road, Bengaluru 560001

All images courtesy the artist

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13 Jul 2017

Art and the Question of Authorship and Ownership in the Internet Era

 Art and the Question of Authorship and Ownership in the Internet Era

by  
Narendra Raghunath

In this article, Narendra Raghunath, visual artist and faculty, Srishti Institute of Art, Design and Technology, Bangalore draws on personal experience and discusses the complexities of authenticity, authorship and ownership rights of art and the 'image' in the contemporary art world.

A couple of years ago, I received an odd request from an unknown person in New York, to authenticate two works of mine. The work looked like mine, except it had some colour fading. It also had my name on the left bottom part in English, as I often write. The only problem was I had no Idea of such a sale or transfer. On further inquiry, I learnt that he sourced the work from a struggling Indian art student. During those days, if anyone would image search my work, Google strangely enough, showed a popular Hollywood actress’s name! This Indian student smartly used that opportunity and somehow managed to convince this poor chap that this actress was a big collector of my work.

Art and the Question of Authorship and Ownership in the Internet Era by Narendra Raghunath, Art Scene India
During that period, I also had a website where I occasionally published some of my explorations with the caption that ‘none of the works are for sale’. This smart student utilized all these to his advantage to fleece this investor – for a cool $4,800 - for the downloaded prints. But, once the collector began to have doubts about the signature in the authentication letter, he contacted me for verification. The entire episode filled me with mirth. I informed the buyer that there was a colour issue with the print and offered to send him a new set of prints of the same works with my pencil signature (courier costs to be borne by the collector). He happily agreed, and as I did not want the Indian student to get caught in a serious crime in the US, I left it that.

This entire episode provoked me into a deep philosophical question of authenticity of authorship and ownership of an artwork. History of art is filled with stories where the artists and their families died in poverty while their work, later on, made many others billionaires.

18 Nov 2015

ARTiculations - A workshop for artists, Bangalore

ARTiculations - Beyond the Image - A workshop for artists on Nov 22, 2015 at Talk Temple, Lavelle Road, Bangalore

By Nalini Malaviya
(Bangalore based art consultant, writer and blogger)

Enhance your verbal and written communication skills

Learn about:
● Art marketing
● Tools to promote and support your art practice
● How to write an artist statement

Who should join: Artists and photographers - recent graduates, upcoming and experienced creative professionals who wish to work on their marketing and communication skills to support their career.

Timings: 10:00 am to 1:00 pm
Fees: Rs 1,800/- (coffee and light snacks included)
For registration contact*
Phone: 080-41507000/ 98806 30024
Email: nalini.indianart@gmail.com

Venue:
Talk Temple
92, 3rd Cross, Lavelle Road
Bangalore – 560 001

*Limited seats.

Please report by 9:45 am and bring a few images of your recent works as you will draft an artist statement by the end of the workshop. Let me know if you have any questions (nalini.indianart@gmail.com).
Confirm by 18th Nov.

About
Nalini Malaviya is a Bangalore based art consultant, writer and blogger. She has been writing for the media since 2003, and has contributed to Times of India, Financial Times, Bangalore Mirror, Femina, Deccan Herald and several other publications including art magazines and catalogs. Nalini publishes www.artsceneindia.com, a blog/ Ezine featuring art news, events and articles. The website functions as an artist resource and promotes artists. She curates art exhibitions and also teaches arts management and marketing for artists, through workshops.

Talk Temple is a Transformational Leadership Training Organization that enables and empowers people to exploit their potential. It believes that Human Resources can be developed to create a Unique Success Mantra that will differentiate the company and create tangible Results for Leaders and their Teams.
Contact: mail@talktemple.com/ Kavitha at 98806 30024, Office 080 41507000

ARTiculations - Beyond the Image - A workshop for artists on Nov 22, 2015 at Talk Temple, Lavelle Road, Bangalore  By Nalini Malaviya (Bangalore based art consultant, writer and blogger)

14 Feb 2014

FILM FESTIVAL: 'Great Artists Biography' at NGMA, Bangalore

NGMA Bengaluru announces the 3rd series of its FILM FESTIVAL 'Great Artists Biography' on El Greco, Giotto Di Bondone, Turner and Vincent Van Gogh at NGMA auditorium on Saturday, 15th February 2014 at 3.00 pm and Sunday, 16th February 2014 at 11.00 a.m.

Admission is free on first come first serve basis.

All are welcome.

28 Feb 2011

Art Buzz - Bangalore


Here are a few events happening in Bangalore, I'm particularly looking forward to this show at Sumukha,






Here's a show for bird lovers,



South Asian Film Festival at NGMA,




Charlotte Salomon– Life? Or Theatre?


Event: Exhibition: Charlotte Salomon – Life? Or Theatre?

Date: Feburary 25 to March 9, 2011

Time: 9.30 a.m. - 6.30 p.m.

Venue: Goethe-Institut/Max Mueller Bhavan, Bangalore



I don't have the evite or images for this exhibition, but it promises to be interesting. I will post images as soon as I have some.

15 May 2008

An evening with JMS Mani

JMS Mani, Art Scene India archive
Last week I went for Ananya Drushya’s interactive session with the artist of the month. This month features JMS Mani, who most of you will know from his very popular ‘Badami’ series. Mani was invited to talk about his art and events that have shaped his artistic career. Initially reluctant to speak, Mani did talk at length about his early days with RM Hadpad (Founder of Ken School of Art), his exposure to different media, making prints, turning down a seat at the MS University, Baroda (which he admitted he regrets sometimes) and so many other lesser known facts associated with his life. He sportingly shared anecdotes that were not only delightful but refreshingly honest and sans frills. Such a pity that there were so few of us in the audience! Fortunately, (SG) Vasudev felt the need to repeat the interactive session at a later date and hopefully it will happen again sometime this month.Incidentally, Mani studied and then taught at Ken School of Art and retired from there as the Principal recently. The prints of his works that were on exhibit offered a valuable insight into his growth as an artist – lithographs, drawings and paintings from his early days to the present were on display. As Vasudev pointed out, Ananya attempts to showcase a retrospective wherever possible. I liked Mani’s early black and white works much more than the colourful men and women from the ‘Badami’ series. But, it so happens that this series is what defines him. The rustic appeal and the apparent spontaneity of vibrant colours in these paintings draw the viewer. JMS Mani, Badami Series, Art Scene India archiveFor so many successful artists this can be such a vicious trap – they are forced to paint what the buyers want, but then critics pan them for repeating their works and not trying out anything new. A Catch 22 situation for them, don’t you think? Maybe sometimes we are too quick in judging artists; it helps to remember that at the end of the day this too is a profession for them. Artists also need to make ends meet and have families to support.
But then, I find artists today are much more experimental in their approach and are willing to take risks. If you look at the results of a few past auctions, what stands out is that contemporary artists who are trying out different media and genre are doing exceptionally well.