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25 Dec 2008
24 Dec 2008
Art for All
(Nalini S Malaviya)
Last week’s column on reproductions of paintings as an affordable form of art appears to have touched a chord with many readers. Some of them wrote in to say that even though such paintings were not original their beauty and aesthetic appeal was unmatched. Very true. And, especially when one considers the prices. Today, despite the recession and the slowdown in the art market, prices of paintings are beyond the reach of many people. That’s also explains the popularity of an event such as the Chitra Santhe, the annual art bazaar that is held in and around Chitrakala Parishath for the last few years. Incidentally, this year’s Santhe will be held in late January, 2009 and not the last Sunday of the year as was the tradition up till now. The USP of the Santhe lies in the fact that is an open air informal art mart that is easily accessible to all. There is a wide variety and all kinds of art – from fairly good to downright appalling. There have been numerous discussions about having some kind of quality control, but apparently with that many participants and the Santhe atmosphere that is aimed at, it is not a practical option.
In any case, let’s face it, how many people are willing to walk into an art gallery just to look at art? Most people are intimidated by the gallery environs and sometimes the attitude of the staff also doesn’t help. Well, the Santhe does offer an excellent opportunity to get familiar with art over the day and then decide what one wants to buy. It might also be a good idea to have art appreciation lectures or seminars in conjunction with the Santhe, but most probably the logistics of it might prove to be daunting. Still, as an idea it has it merits, it will help prospective buyers gain some basic knowledge about art before making an informed decision.
The group show by artists from Delhi and Rajasthan that previewed last week had some interesting paintings. The large panels by Bhagat Singh were quite popular with the guests, beautifully rendered and pleasing. Immensely symmetrical and intricately patterned - the overall effect was very agreeable and soothing. Madan Meena’s abstracts with matrices of golden and silver circles also created a harmonious impact. Titled Lotus ponds the works were minimal in their approach. Manoj Kachangal abstracts were colourful and appeared to be inspired by some of Raza’s works.
Both Ritu and Anoop Kamath’s paintings were figurative but very different from one another. Where Ritu’s paintings have a greater visual appeal, Anoop’s works seemed to portray sardonic humour and a satirical touch.
(The exhibition is on till January 7 at Crimson Art Resource, The Hatworks Boulevard, Bangalore)
Last week’s column on reproductions of paintings as an affordable form of art appears to have touched a chord with many readers. Some of them wrote in to say that even though such paintings were not original their beauty and aesthetic appeal was unmatched. Very true. And, especially when one considers the prices. Today, despite the recession and the slowdown in the art market, prices of paintings are beyond the reach of many people. That’s also explains the popularity of an event such as the Chitra Santhe, the annual art bazaar that is held in and around Chitrakala Parishath for the last few years. Incidentally, this year’s Santhe will be held in late January, 2009 and not the last Sunday of the year as was the tradition up till now. The USP of the Santhe lies in the fact that is an open air informal art mart that is easily accessible to all. There is a wide variety and all kinds of art – from fairly good to downright appalling. There have been numerous discussions about having some kind of quality control, but apparently with that many participants and the Santhe atmosphere that is aimed at, it is not a practical option.
In any case, let’s face it, how many people are willing to walk into an art gallery just to look at art? Most people are intimidated by the gallery environs and sometimes the attitude of the staff also doesn’t help. Well, the Santhe does offer an excellent opportunity to get familiar with art over the day and then decide what one wants to buy. It might also be a good idea to have art appreciation lectures or seminars in conjunction with the Santhe, but most probably the logistics of it might prove to be daunting. Still, as an idea it has it merits, it will help prospective buyers gain some basic knowledge about art before making an informed decision.
The group show by artists from Delhi and Rajasthan that previewed last week had some interesting paintings. The large panels by Bhagat Singh were quite popular with the guests, beautifully rendered and pleasing. Immensely symmetrical and intricately patterned - the overall effect was very agreeable and soothing. Madan Meena’s abstracts with matrices of golden and silver circles also created a harmonious impact. Titled Lotus ponds the works were minimal in their approach. Manoj Kachangal abstracts were colourful and appeared to be inspired by some of Raza’s works.
Both Ritu and Anoop Kamath’s paintings were figurative but very different from one another. Where Ritu’s paintings have a greater visual appeal, Anoop’s works seemed to portray sardonic humour and a satirical touch.
(The exhibition is on till January 7 at Crimson Art Resource, The Hatworks Boulevard, Bangalore)
22 Dec 2008
Use the time effectively
(By Nalini S Malaviya)
Due to the current economic recession, investors may find the art scene in a reduced state of activity. There are fewer art shows and events taking place, where most of the bigger exhibitions involving the top bracket of artists are being postponed. While, this is happening more with galleries based abroad but the effects can be seen in the country as well. Travel to art fairs has also been affected and galleries and artists are actively cutting down on expenses. Experts feel that the worst is yet to come and it may be a while before the art scene stabilizes.
However, all this does not mean that art connoisseurs should give up on art completely. There are many things than an investor can do to utilize the interim period effectively and to consolidate one’s collection.
Long term investors can continue to buy affordable art by young and upcoming artists. They should avoid selling wherever possible as this is a buyer’s market at the moment. By the same rule one can look out for good deals at competitive prices. A liquidity crunch can force collectors and dealers to offer attractive prices.
Investors should focus on making sure that their collection is safe and is maintained in a good condition. They could consider insuring their artworks if it hasn’t already been done. A large collection should always be catalogued and documented appropriately. It is important to maintain all documents related to the artworks as any loss of these can affect prices later on. Authenticity, provenance and sale receipts are some of the papers that one should keep safely. It is also a good idea to keep photocopies of these documents in a secure place.
If an investor needs to sell now then one should look for a buyer discretely. Incidentally, premium and rare works are continuing to fetch a good price provided one can find the right buyer.
It is important to utilize the interim period to build a network with other art connoisseurs. The art community is a fairly close knit one, and very often transactions and dealings happen through word of mouth. Recommendations and references are useful to have.
If one is making any fresh investment then research is very important at this stage. Watch out for the not so good quality works that may be available in the market.
The slowdown is likely to continue for the next couple of years, therefore it is vital that one does not let it affect one’s financial and mental health. It is a good time to review ones art collection to see which works should be kept and which ones should be sold off later.
One should continue to visit art shows and keep in touch with the latest happenings. Most galleries plan to continue with their art shows in order to keep the interest in art alive. Good deals are available now, and if one’s wallet allows, buy.
Due to the current economic recession, investors may find the art scene in a reduced state of activity. There are fewer art shows and events taking place, where most of the bigger exhibitions involving the top bracket of artists are being postponed. While, this is happening more with galleries based abroad but the effects can be seen in the country as well. Travel to art fairs has also been affected and galleries and artists are actively cutting down on expenses. Experts feel that the worst is yet to come and it may be a while before the art scene stabilizes.
However, all this does not mean that art connoisseurs should give up on art completely. There are many things than an investor can do to utilize the interim period effectively and to consolidate one’s collection.
Long term investors can continue to buy affordable art by young and upcoming artists. They should avoid selling wherever possible as this is a buyer’s market at the moment. By the same rule one can look out for good deals at competitive prices. A liquidity crunch can force collectors and dealers to offer attractive prices.
Investors should focus on making sure that their collection is safe and is maintained in a good condition. They could consider insuring their artworks if it hasn’t already been done. A large collection should always be catalogued and documented appropriately. It is important to maintain all documents related to the artworks as any loss of these can affect prices later on. Authenticity, provenance and sale receipts are some of the papers that one should keep safely. It is also a good idea to keep photocopies of these documents in a secure place.
If an investor needs to sell now then one should look for a buyer discretely. Incidentally, premium and rare works are continuing to fetch a good price provided one can find the right buyer.
It is important to utilize the interim period to build a network with other art connoisseurs. The art community is a fairly close knit one, and very often transactions and dealings happen through word of mouth. Recommendations and references are useful to have.
If one is making any fresh investment then research is very important at this stage. Watch out for the not so good quality works that may be available in the market.
The slowdown is likely to continue for the next couple of years, therefore it is vital that one does not let it affect one’s financial and mental health. It is a good time to review ones art collection to see which works should be kept and which ones should be sold off later.
One should continue to visit art shows and keep in touch with the latest happenings. Most galleries plan to continue with their art shows in order to keep the interest in art alive. Good deals are available now, and if one’s wallet allows, buy.
Use the time effectively
(By Nalini S Malaviya)
Due to the current economic recession, investors may find the art scene in a reduced state of activity. There are fewer art shows and events taking place, where most of the bigger exhibitions involving the top bracket of artists are being postponed. While, this is happening more with galleries based abroad but the effects can be seen in the country as well. Travel to art fairs has also been affected and galleries and artists are actively cutting down on expenses. Experts feel that the worst is yet to come and it may be a while before the art scene stabilizes.
However, all this does not mean that art connoisseurs should give up on art completely. There are many things than an investor can do to utilize the interim period effectively and to consolidate one’s collection.
Long term investors can continue to buy affordable art by young and upcoming artists. They should avoid selling wherever possible as this is a buyer’s market at the moment. By the same rule one can look out for good deals at competitive prices. A liquidity crunch can force collectors and dealers to offer attractive prices.
Investors should focus on making sure that their collection is safe and is maintained in a good condition. They could consider insuring their artworks if it hasn’t already been done. A large collection should always be catalogued and documented appropriately. It is important to maintain all documents related to the artworks as any loss of these can affect prices later on. Authenticity, provenance and sale receipts are some of the papers that one should keep safely. It is also a good idea to keep photocopies of these documents in a secure place.
If an investor needs to sell now then one should look for a buyer discretely. Incidentally, premium and rare works are continuing to fetch a good price provided one can find the right buyer.
It is important to utilize the interim period to build a network with other art connoisseurs. The art community is a fairly close knit one, and very often transactions and dealings happen through word of mouth. Recommendations and references are useful to have.
If one is making any fresh investment then research is very important at this stage. Watch out for the not so good quality works that may be available in the market.
The slowdown is likely to continue for the next couple of years, therefore it is vital that one does not let it affect one’s financial and mental health. It is a good time to review ones art collection to see which works should be kept and which ones should be sold off later.
One should continue to visit art shows and keep in touch with the latest happenings. Most galleries plan to continue with their art shows in order to keep the interest in art alive. Good deals are available now, and if one’s wallet allows, buy.
Due to the current economic recession, investors may find the art scene in a reduced state of activity. There are fewer art shows and events taking place, where most of the bigger exhibitions involving the top bracket of artists are being postponed. While, this is happening more with galleries based abroad but the effects can be seen in the country as well. Travel to art fairs has also been affected and galleries and artists are actively cutting down on expenses. Experts feel that the worst is yet to come and it may be a while before the art scene stabilizes.
However, all this does not mean that art connoisseurs should give up on art completely. There are many things than an investor can do to utilize the interim period effectively and to consolidate one’s collection.
Long term investors can continue to buy affordable art by young and upcoming artists. They should avoid selling wherever possible as this is a buyer’s market at the moment. By the same rule one can look out for good deals at competitive prices. A liquidity crunch can force collectors and dealers to offer attractive prices.
Investors should focus on making sure that their collection is safe and is maintained in a good condition. They could consider insuring their artworks if it hasn’t already been done. A large collection should always be catalogued and documented appropriately. It is important to maintain all documents related to the artworks as any loss of these can affect prices later on. Authenticity, provenance and sale receipts are some of the papers that one should keep safely. It is also a good idea to keep photocopies of these documents in a secure place.
If an investor needs to sell now then one should look for a buyer discretely. Incidentally, premium and rare works are continuing to fetch a good price provided one can find the right buyer.
It is important to utilize the interim period to build a network with other art connoisseurs. The art community is a fairly close knit one, and very often transactions and dealings happen through word of mouth. Recommendations and references are useful to have.
If one is making any fresh investment then research is very important at this stage. Watch out for the not so good quality works that may be available in the market.
The slowdown is likely to continue for the next couple of years, therefore it is vital that one does not let it affect one’s financial and mental health. It is a good time to review ones art collection to see which works should be kept and which ones should be sold off later.
One should continue to visit art shows and keep in touch with the latest happenings. Most galleries plan to continue with their art shows in order to keep the interest in art alive. Good deals are available now, and if one’s wallet allows, buy.
18 Dec 2008
Not Original
(Nalini S Malaviya)
A client liked a painting she saw in a magazine and wanted it reproduced in a larger size. That set me thinking about copies (not multiples, as in lithographs, etc) or reproductions of a painting, which works out as an affordable option.
Reproductions of paintings done by famous artists have always been a popular choice with people looking at dressing their walls. One of the major reasons this is so much in vogue is because it is an affordable form of art. It costs only a fraction of the original. Obviously, there is little or no investment value from a financial angle in such paintings, but they have an immense decorative value. After all, how many people can afford a Picasso, Van Gogh, Rembrandt or a Raja Ravi Verma. In such cases there are three options - an offset print on paper, a digital print on canvas, or an oil reproduction
A client liked a painting she saw in a magazine and wanted it reproduced in a larger size. That set me thinking about copies (not multiples, as in lithographs, etc) or reproductions of a painting, which works out as an affordable option.
Reproductions of paintings done by famous artists have always been a popular choice with people looking at dressing their walls. One of the major reasons this is so much in vogue is because it is an affordable form of art. It costs only a fraction of the original. Obviously, there is little or no investment value from a financial angle in such paintings, but they have an immense decorative value. After all, how many people can afford a Picasso, Van Gogh, Rembrandt or a Raja Ravi Verma. In such cases there are three options - an offset print on paper, a digital print on canvas, or an oil reproduction
An offset print which is usually done on paper often tends to look tacky, and is not a good idea for dressing the interiors of residences. Small offices or low-budget reception areas tend to put these on their walls, and it is one way to add colour to drab walls.
Digital prints of paintings on canvas by Raja Ravi Verma and Haldenkar are very popular and have the advantage that these are available in various sizes. Being digitally reproduced, the colours and tonal values are matched closely with the original and give a similar look and feel as the original work. The prices also begin from somewhere around Rs.3000 or so, and therefore work out as an extremely affordable option. ‘Glow of Hope’ (also called Lady with the Lamp) a painting by Haldenkar always seems to be well in demand. Similarly, Raja Ravi Verma’s paintings are also much sought after. To reproduce these paintings in the digital format there are copyright and legal issues involved, and one should buy only from a reputed source. The good thing is that these can be printed on demand, and in the size that you want. Digital prints are of much better quality now, with better quality inks that last longer.
An oil reproduction is a wonderful way to enjoy a work of art by a famous artist. Unfortunately, oil reproductions are also fraught with issues, as fake art is a huge problem in the world of art. Therefore, be aware that there could be legalities involved and ensure you buy from a gallery that has copyrights in place. Reproductions are available from prices as low as Rs 1,000 to Rs 10,000 or more, so go ahead and own a work of art.
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