Showing posts with label Art News. Show all posts
Showing posts with label Art News. Show all posts

24 Jan 2019

Art News: apexart International Open Call 2019-20

apexart International Open Call for Exhibition Proposals 2019-20
Curatorial opportunity

Application period: February 1–March 1, 2019

apexart International Open Call for Exhibition Proposals 2019-20 Curatorial opportunity

apexart’s International Open Call is soliciting exhibition proposals from February 1-March 1, 2019. The four proposals with the highest scores will be presented by the organizers in the countries specified as part of apexart’s 2019-20 exhibition season. Curators, artists, writers, and creative individuals, regardless of experience level or location, are invited to submit a proposal online for any international (or domestic) location outside of New York City and its metropolitan area.

The submission process
Proposals should describe compact, focused, idea-driven, and original group exhibitions. No biographical information, CVs, links, or images will be accepted. Submissions cannot exceed 500 words and should be submitted in English.

The selection process
Rather than convene a small panel to review hundreds of ideas, apexart’s crowdsourced voting system utilizes many jurors to individually review a small subset of proposals. An international jury composed of 300+ individuals from a wide variety of professional backgrounds rate the proposals based on interest, content, and the organizers’ ability to communicate their ideas. To make the system as fair as possible, proposals are anonymous and randomized for each juror, which ensures that each submission receives the same consideration. apexart does not influence the decisions of the jury in any way.

The results
The organizers/curators of the four highest-ranked proposals will each receive an exhibition budget of up to USD 11,000 and will work closely with the apexart team to turn their ideas into apexart exhibitions. Exhibition organizers are expected and challenged to work within the funding provided to transform their winning proposals into strong, focused, noteworthy, and relevant exhibitions.

To submit an exhibition proposal, visit apexart.org/opencalls.php between from February 1-March 1, 2019.


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20 Dec 2018

Traditional Mysore Paintings by Shobana Udayasankar

An exhibition of exquisite traditional Mysore paintings by Shobana Udayasankar previews today at Chitrakala Parishath


The symbolism-rich, intricate Mysore style is a traditional art form, which once graced the temples and palaces of the centuries-old Wodeyar empire. Bangalore based artist, Shobana Udayasankar is committed to keeping the tradition of Mysore art alive and works not only on recreating the most unique of traditional designs, but also aims to innovate through the use of cultural influences from Asia and Europe, experimenting even with abstracts.
Traditional Mysore Paintings by Shobana Udayasankar, Gowri Ganesha, Indian Art Scene
Having started out as an amateur enthusiast, spurred by her interest in preserving the art form, her journey has been a long and rewarding one. Shobana is now set to showcase her collection of traditional Mysore paintings in Bengaluru for the first time ever. Sixty artworks, ranging in size from 8 x 10 inches to multiple pieces that are 4 x 6 feet, along with many intermediate sizes, will be part of the show. Mysore paintings are characterised by high level of detail and fine intricate work and Shobana’s works stand out for their extraordinary rendering.

The works are based on tales and events occurring in various scriptural and mythological texts, including the Puranas. The ‘Samudra Manthana’ or Churning of the Ocean – a metaphorical depiction of the creation of the manifested world that features over fifty individual figures – and ‘The Wedding of Girija (Parvathi) and Shiva’ and ‘Kama-Kameswari’ are examples of deeper philosophical ruminations on the structure of the cosmos that have been presented and preserved for generations as art.


Traditional Mysore Paintings by Shobana Udayasankar, Krishna, Indian Art Scene


Also featured are depictions of gods and goddesses, following the symbolisms and descriptions set out in ancient treatises, including the famed Samudrika-Lakshana – the science of anatomical proportions. ‘Devi Chamundeswari’ serves an example of a more traditional representation of the patron Goddess of the Wodeyar kings.

Traditional Mysore Paintings by Shobana Udayasankar, Devi Chamudeshwari, Indian Art Scene

Shobana aims to inculcate interest in the art form beyond the small traditional circles and make more people aware of the art and develop an appreciation of it. Her own interest was sparked as she grew up hearing many mythological tales from my mother, and growing up, developed a strong interest in spirituality - particularly the deeper meanings in scripture and philosophy - which gave her an affinity for various representations of the divine. “This deepened my interest in more traditional art forms, of which I found that Mysore art was not only less well-known, but it was also a delicate and intricate form, the practice of which was almost a spiritual experience in itself - not unlike meditation. Once I had caught a glimpse of this depth, there was no turning back,” she explains.

Comprising many stages of painstaking and intricate work, including the preparation of the hardboard, the initial sketching, the ‘gesso’ work that provides a subtle embossing, to the pasting of the extremely fragile pure gold leaf and the final painting itself, pieces made following the authentic Mysore school of art take many months of diligent and dedicated effort. It can even take years to finish a large, intricate piece of work. Shobana elaborates, “My recent large-scale work "Lalitha Durbar" is about 4.5 feet by 5.5 feet, and it took me nearly two years to finish.”

Traditional Mysore Paintings by Shobana Udayasankar, evite Indian Art Scene
Based on the premise that India’s rich mythological heritage has a wider audience, as evidenced from the spread and survival of popular themes such as the Ramayana in art forms native to other Asian countries, including Indonesia and Thailand, Shobana has attempted to stretch the boundaries of this art by presenting new compositions that remain true to the original techniques and methods of this art form alongside traditional representations. ‘Rama and Sita’ (Thai style) is one such example of the artist’s contemporary vision. It is her way to appeal to purists as well as those seeking a more dynamic approach to heritage and tradition, thus bridging the gap between the ancient and the modern.

Shobana’s expertise and proficiency in the field was recognized jointly by the All India Fine Arts and Crafts Society and the Karnataka Lalitakala Akademi and she was conferred the Millennium Artist Award in the year 2000.

The exhibition is on at Karnataka Chitrakala Parishath from 21 - 26 December 2018



Images: Courtesy Shobana Udayasankar



You can connect with the artist on FB, Twitter & Instagram
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Updated: Dec 21

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5 Nov 2018

Art Bengaluru 2018 - A Celebration of Contemporary Art


Art Bengaluru 2018 - Ongoing at UB City

The 2018 edition of Art Bengaluru brings together 17 Indian artists across 24 exhibits to UB City, the centrally located mall in Bangalore. This year, one can see photography, mixed media artworks, oil paintings, acrylics, pen and ink drawings, sculptures (from wood, steel and paper) and video projects, all arranged aesthetically adopting a cohesive approach, and there are some very interesting works to be seen at the mall. Since, it's a public space, anyone can walk in to view the art. The exhibition scores high in terms of accessibility, display and lighting. With several outreach programmes the footfall is expected to be high.
Art Bengaluru 2018 at UB City, Public Art, Photograph courtesy Prestige group, Art Scene India
Saju Kunhun

Art Bengaluru 2018 at UB City, Prestige Group, Public Art, Photographs Art Scene India
Balan Nambiar

The display has been put together exceedingly well and it begins at the foyer with Balan Nambiar's large stainless steel sculptures and continues inside the mall with his enamel works and a large painting by Gurudas Shenoy (a 20 ft multipanel work on the ground floor, which forms a stunning focal point). His natural and urban semi-abstract canvases form an extensive collection at Sublime Galleria on the 8th floor as well.

Vipta Kapadia and Kavita Jaiswal are among other artists that are displayed on the ground level and their abstracts - quiet and meditative by the former and heavily textured and layered by the latter are captivating. The large linear hillscapes in pen and ink on paper from 1986 by D Venkatapathy, the senior founder member of the Cholamandal Artist Village are intricately detailed in black and white.

Art Bengaluru 2018 at UB City, Prestige Group, Public Art, Photographs Art Scene India
Gurudas Shenoy
Art Bengaluru 2018 at UB City, Prestige Group, Public Art, Photographs Art Scene India
Parvathi Nayar
The centrally located exhibits of the 2nd floor showcase works by Parvathi Nayar, Romicon Revola, Ashu Gupta and Saju Kunhan. Parvathi’s graphite drawings explore water in its simultaneous ubiquity and scarcity, portrayed through the entire spectrum of perspective - from bird’s eye to microscopic. Romicon video works offer an interesting narrative, where one invites the viewer to contemplate and meditate on a single drop of water and the other engages with the phenomenon of the urban sprawl. She says, "The urban sprawl is like the mythical hydra: a creature that grows two new heads every time one of its heads is cut off."
Art Bengaluru 2018 at UB City, Prestige Group, Public Art, Photographs Art Scene India
Romicon Revola

Bothysathavur , S Ravi Shankar & Ganesh Selvaraj play with symmetry with paper and wood, 'these exhibits are tethered by strict geometrical forms employed by the artists; from the perspective-altering curves and lines of Yuvan’s work on plywood, to Ravi Shankar’s architectural laser-cut paper sculpture that transform in different angles of light, and Ganesh’s intense assemblages of magazine paper on board'.

On the first floor, photography and photo media by Devangana Kumar and Rohaan Sulaiman are exhibited. Devangana recreates postcards from mid-nineteenth century that are based on Indian servants employed by British and which presents them as commodified subjects. The artist's large format digital recreations attempts to reinstate dignity and identity and humanise them. "Rohaan’s documentation of Naga tribes and wildlife explore themes of migration, adaptation to rapidly evolving habitats and preservation of tradition," according to Abhishek Naidu, curator.
Art Bengaluru 2018 at UB City, Public Art, Photograph courtesy Prestige group, Art Scene India
Pallon Daruwala
Pallon’s exhibit features a selection of works from the new edition of his Vertical Horizon series, which aptly titled, capture a diverse series of subjects and settings that are as thought provoking and disorienting as they play with the 'normal' and turn around perspectives.

Curated art walk with exchange students from Garden University, Spain

With curated art walks, the festival also aims to contribute to art education among both children and adults. Art Bengaluru 2018 has partnered with several schools (Parikrma Centre of Learning, Srishti Institute of Art, Design & Technology and Dr. Beltran’s Animation School, to name a few) to take their students through curated walks to help them better understand and appreciate the arts.



Curated art walk with exchange students from Garden University, Spain








Ms. Uzma Irfan - Festival Director, Art Bengaluru & Director, Prestige Group

The featured artists include Balan Nambiar, Gurudas Shenoy, Kavita Jaiswal, Vipta Kapadia, Chandan Bhowmick, D Venkatapathy, Yuvan Bothysathavur, S Ravi Shankar, Devangana Kumar, Rohaan Sulaiman, Parvathi Nayar, Romicon Revola, Ashu Gupta, Ashish Dubey and Pallon Daruwala. 

Ms. Uzma Irfan is the Festival Director, Art Bengaluru & Director, Prestige Group


More details on Art Bengaluru 2018 here http://www.artbengaluru.in/

Art Bengaluru at UB City, Vittal Mallya Road, 11am onwards is on till November 18 

Edit: Updated 02 – 18 November 2018
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2 Nov 2018

Art News: Recounting Memories by Gurudas Shenoy in Bangalore

Recounting Memories by Gurudas Shenoy 
at Sublime Art Galleria in Bangalore

Recounting Memories by Gurudas Shenoy at Sublime Art Galleria in Bangalore, Art Bengaluru 2018 at UB City



Recounting Memories by Gurudas Shenoy at Sublime Art Galleria in Bangalore, Art Bengaluru 2018 at UB City

Gurudas Shenoy’s urban spaces recount narratives constructed around places, their architecture and history to form visual chronicles. The irregular façades of structural forms conceal stories of life and living. An array of emotions, personal and collective sagas and memories lie embedded within the walls of settlements. Archives of human existence entrenched in every brick and piece of glass, the inanimate captures the living breath within its folds.


The evolution of the current series of cityscapes can be traced to his travels across India and Europe. A significant point in his artistic journey, the European visual and cultural environment opened up entirely new vistas for him. It triggered rigorous experimentations on canvas, and an expansiveness in his imagination and thought, resulting in a fresh vocabulary. Paris, Amsterdam and Prague amongst other cities, contributed to a refined aesthetic in terms of colours, lines, form, light and textures, leading him to explore the city in its vitality, sheer energy and its resplendence. His fascination with buildings, old and new, their historicity, and their silent role as witnesses to time and its transformation, their inhabitants and their lives with all its variations, became a muse.
Recounting Memories by Gurudas Shenoy at Sublime Art Galleria in Bangalore, Art Bengaluru 2018 at UB City
Apart from the cityscapes, Shenoy’s newer works occupy a transitory space, where the structures from an urban skyline gently dissolve their linearity and are suggestive of memories of land and the surrounding environment. Undulating terrains, open skies and hints of topographical details speckle the surface and the works become calmer and unencumbered in their exploration. Perhaps, meditative too, reflecting Shenoy’s state of mind and a personal sense of serenity that he now embraces. The experimentations with colours and textures intensify, and he continues to gravitate further towards abstraction. He revisits landscapes - from places he has travelled to, and represents them as snapshots in time and space. The colours are vivid with strong and often dramatic brushstrokes that capture the essence of the memory – of land, its contours and colours, the play of light and the prevalent mood. 

Nalini S Malaviya

Art Critic, Bangalore

Excerpt from the catalog essay Recounting Memories

All images are courtesy the artist

Recounting Memories by Gurudas Shenoy at Sublime Art Galleria in Bangalore previews on 2nd Nov and continues till 28th Nov, 2018. 


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