Showing posts with label Art News. Show all posts

14 Jun 2025

Beyond the Reopening: Reviving Venkatappa Art Gallery

Venkatappa Art Gallery view, Art Scene India

After months of anticipation and extensive renovation efforts by The Brigade Foundation, the Venkatappa Art Gallery reopened its doors. More than 200 artists and enthusiasts gathered for the ‘Gallery Pravesha’ on the morning of 13th Jun, a day after the official inauguration, which was boycotted by the artist fraternity.

Rumale Chennabasaviah Exhibition

The renovated Venkatappa Art Gallery now has three exhibition spaces for artists, but only one was utilized for the inaugural display: a condensed yet well-presented exhibition on Rumale Chennabasaviah made possible by Sanjay Kabe. The absence of exhibitions in the other two galleries on the ground floor was in my opinion a missed opportunity—an inaugural showcase across all spaces would have added much to the event.

KK Hebbar Gallery

The second floor houses the K.K. Hebbar exhibition, unfortunately, non-functional lighting left a small section in partial darkness, and his publications were not on display, at least one could not spot them. A thoughtful reassessment of the design and display of this space would help in bringing a more coherent and engaged display and do justice to Hebbar’s legacy.

K. Venkatappa’s main gallery on the first floor, however, is well curated and presents his paintings, veenas, awards, and personal memorabilia all displayed in a manner that honours his multifaceted practice and interests. Yet here, too, flickering lights interrupted the experience—a recurring technical issue that needs resolution.

Having said that, all of these concerns are minor in comparison to what has been achieved during the restoration – from addressing leaky ceilings and walls, mold, and cracks, to structural repairs, well designed lighting and accessibility features with ramps and elevators, have made a huge difference. In addition, there is a 100-seat auditorium, a sculpture park, a cafe, and outdoor spaces which have been redesigned.

The overwhelming turnout from artists demonstrated the community’s commitment to supporting institutional spaces. Navigating the exhibits amid the crowds made it difficult to engage with the artworks in depth—and one would have to visit again to view the exhibitions in detail.

The Future

Looking ahead, several crucial aspects must be addressed. Clarity on how artists can book the gallery spaces, the fee structure, and programming guidelines must be communicated in a transparent manner. Furthermore, a dedicated team—comprising curators and art experts—should be established to steer the activities, ensuring thoughtful exhibitions, critical dialogue, and sustained engagement with the space.

Venkatappa Art Gallery with its unique location and its rich history has the potential to be a vibrant cultural hub, once again. With careful planning, artist-centered programming, and infrastructural refinements, it can evolve into an institution that not only preserves artistic legacies but also fosters contemporary conversations. The reopening was a significant milestone—now it’s time to ensure the momentum leads to meaningful change.

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10 Jun 2025

Art News: Venkatappa Art Gallery: Renovation

Venkatappa Art Gallery: Renovation

Rendered drawing only for representation

Established in 1975, the Venkatappa Art Gallery in Bengaluru has hosted generations of artists, fostering creativity and dialogue. However, years of neglect left the institution in dire need of restoration. The renovation was undertaken as part of a Corporate Social Responsibility (CSR) initiative and aimed to modernize the gallery while preserving its historical essence. According to a Bangalore Mirror report, the project was completed at a cost exceeding Rs 8 crore with plans for five exhibition galleries, a permanent collection space, and enhanced infrastructure, including a dedicated artists’ room. The purpose of the restoration was to breathe new life into the venue, and ensure it remains a vital hub for cultural activities.

Despite the excitement surrounding the gallery’s reopening on June 12, controversy has emerged over the alleged ‘exclusion of the local art community’ from the event. While government officials and corporate representatives are expected to attend, many artists—who have long advocated for the gallery’s preservation—have reportedly been left out of the celebrations.

This exclusion has sparked discontent among Bengaluru’s artistic circles as evident through a number of social media posts. It must be pointed out that the gallery’s revival was largely driven by years of lobbying from several artists, who were diligent about keeping it from falling into private hands.

Future of Artistic Spaces

In general, it is important to include artists at every stage to ensure their involvement in shaping cultural institutions, and to avoid a precedent for a ‘top-down management of artistic spaces’, which could reduce opportunities for grassroots engagement.

Artists and cultural advocates are now calling for greater transparency and inclusivity in the gallery’s future programming. While the renovation is a welcome development, its success will ultimately depend on how well it serves the artistic community it was built for.

As Bengaluru’s art scene continues to evolve, the Venkatappa Art Gallery stands at a crossroads—will it remain a true home for artists, or become a polished but detached institution? The answer lies in how its custodians respond to the voices of those who have long fought for its survival.

What are your thoughts and suggestions on this topic?

Note: the article was updated on Jun 11

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6 Jun 2025

Namma Hampi - A Symbol of Lasting Beauty

In the 14th and 15th centuries, Hampi, the former capital of the Vijayanagara Empire, was one of the most flourishing urban centers, with its architectural brilliance and vibrant economy. Even today it stands as a testament to the intersection of grandeur and destruction. Following the empire’s defeat in 1565, the city was left in ruins—a stark reminder of the fragile nature of power and prosperity.

‘Namma Hampi - The Epitome of Beauty’ by Lokesha R & Bhyrava B M, Art Scene India

This exhibition ‘Namma Hampi - The Epitome of Beauty’ by Lokesha R and Bhyrava B M seeks not only to celebrate Hampi’s artistic allure but to engage with its historical transformations, questioning the romanticized view of its remnants and reflecting on the forces that shaped its legacy.

The Virupaksha Temple, one of the few structures that survived the city’s downfall, remains an enduring religious landmark. Dedicated to Lord Shiva, it continues to serve as a place of worship, defying the destruction that enveloped Vijayanagara. The temple’s towering entrance gateway and finely carved details exemplify the refined artistry of the Dravidian style. Yet, its significance goes beyond aesthetics—it embodies perseverance amid adversity. Beneath its surface lie subterranean chambers, enveloped in mythology and mystery, with traditions linking them to the exile of Lord Rama and Sita.

Deep within Hampi’s architectural wonders stands the Vijay Vittala Temple, a structure that symbolizes the lost magnificence of the empire. At its core lies the famed Stone Chariot, an icon of sculptural artistry. Designed to resemble ceremonial temple chariots, it forms a visual contradiction between movement and permanence. The temple complex, dedicated to Vishnu, once echoed with melodies from its ingenious musical pillars—columns so precisely carved that they emitted harmonic sounds when struck.

Hemakuta Hill offers an architectural contrast, rising above the Virupaksha Temple with its understated shrines and mandapas. Unlike the towering grandeur of other Vijayanagara temples, Hemakuta’s shrines are modestly scaled, harmonizing with the rocky terrain. Their surfaces, adorned with delicate carvings of lotus motifs, entwining foliage, and serene depictions of deities, reflect the spiritual essence of the era without excess. This exhibition, expressed through watercolor and textured techniques, does not merely present Hampi as a visual spectacle—it interrogates its historical narratives. It compels viewers to reevaluate the ruins beyond their aesthetic appeal, examining the cultural, political, and economic shifts that define them.

The featured artists, Bhyrava B M and Lokesha R, bring their distinctive perspectives to this exploration. Bhyrava, based in Mysore, captures the nuanced interplay between realism and emotion through his delicate yet intricate watercolors. Lokesha, with roots in Tumkur, approaches art as an evolving conversation, engaging in experimentation across mediums, with printmaking at its core. His work bridges artistic tradition with contemporary discourse, fostering engagement between creator and observer. Hampi’s stones embody both triumph and loss, and this collection does not merely admire them—it listens. It encourages viewers to reconsider what has been preserved, what has faded, and what echoes remain embedded in its legacy. Through each brushstroke, Hampi’s story is reinterpreted—not as a static monument but as a fluid, evolving testament to time.

The exhibition continues till Jun 8 at Karnataka Chiitrakala Parishath

References

- Catalogue text
- Fritz, J., & Michell, G. (2003). Hampi: A Travel Guide
- Raja, T. (2016). Dravidian Architecture and Vijayanagara Temples
- Thapar, R. (2012). Early India: From the Origins to AD 1300
- UNESCO. (2023). Hampi: A World Heritage Site

16 Dec 2024

Art News: India Art Festival Bengaluru, December 2024

India Art Festival Bengaluru, December 2024: A Grand Celebration of Art and Culture

Bengaluru: The much-awaited India Art Festival (IAF) is set to return to Bengaluru for its fourth edition, enthralling art lovers from December 19 to 22, 2024, at the Palace Ground, Kings Court. This edition promises to be the most expansive and diverse yet, bringing together an unprecedented number of participants to celebrate art.

India Art Festival, IAF Bangalore 2024, Image for Art Scene India

Lalu Prasad Shaw

With over 30 galleries and contributions from 350 artists representing 30 cities across India, the art festival will showcase a wide array of artistic expressions, from paintings and sculptures to photography, ceramics, and installations. This year’s IAF highlights the vibrancy of India’s contemporary art scene, providing a platform to explore its latest trends and innovations.

A Feast for Art Enthusiasts

Opening on December 19, the art festival offers visitors a chance to immerse themselves in a rich tapestry of artistic diversity. Over 3,500 pieces of art, spanning oil paintings, acrylics, watercolours, installations, traditional art, and much more, will be displayed at the Kings Court, Palace Ground. The event aims to captivate both seasoned collectors and first-time buyers, ensuring a comprehensive art experience for all.

India Art Festival has consistently fostered a balance between supporting emerging talents and showcasing works by established artists, creating a unique platform for artistic expression. In this edition, young and independent artists will shine alongside eminent names, offering a fresh perspective on contemporary art.

Special Exhibitions and Events

Chandra Battacharya

A key highlight of this year’s India Art Festival is the curated exhibition, "Shaping Horizons: Karnataka’s Iconic Innovators," masterfully curated by Prof. K.S. Appajaiah. This remarkable showcase celebrates the pioneering works of 30 distinguished artists, including S.G. Vasudev, Gurudas Shenoy, M.S. Murthy, M.J. Kamalakshi, C. Chandrashekhar, J.S. Khanderao, V.G. Andani, Sudha Manohar, Hemavathi Umamaheswar, and others. Together, these luminaries have profoundly influenced and shaped Karnataka’s art landscape, leaving an indelible mark on the cultural fabric of the region. This exhibition is a tribute to their enduring legacy and a celebration of their visionary contributions to the world of art.

Laxman Aelay

IAF Creative Excellence Awards

The India Art Festival (IAF), a premier platform celebrating contemporary art and artists, proudly reintroduces its IAF Creative Excellence Awards in this edition. Established in 2011, these prestigious awards honor the creativity, innovation, and dedication of artists participating in the festival. Open to both independent artists and those represented by galleries, the awards recognize outstanding talent showcased across IAF editions in New Delhi, Mumbai, Bengaluru, and Hyderabad.

Each award includes a memento, a certificate of appreciation, and a cash prize of ₹50,000, presented to two selected artists. The winners are chosen by an independent jury comprising two esteemed figures from the art world. The awards will be ceremoniously presented during the opening ceremony of the India Art Festival on December 19, 2024, at 11:30 AM at Kings Court, Palace Grounds, Bengaluru. This initiative underscores IAF's commitment to nurturing artistic excellence and celebrating the diverse talents that enrich the contemporary art scene.

Fusion Shows

Amit Bhar

Every year, the India Art Festival offers an enchanting convergence of music and visual art, blending the universally beloved medium of sound with the evocative, often intricate language of visual expression to craft an immersive sensory experience. This year, the festival elevates its cultural repertoire with captivating fusion performances and live painting sessions featuring renowned artists P. Gnana, Manjegowda, and Eby N Joseph, accompanied by exceptional musicians Subramanya Hegade (Sitar), Prasanna Ballal (Mandolin), Shrinidhi Katti (Flute), and Sandeep M (Tabla).

These dynamic collaborations will transform the festival into a vibrant cultural hub, offering audiences a harmonious interplay of art and music on December 20, 21, and 22, from 3:30 PM to 5:00 PM. This unique synthesis promises to captivate art and music enthusiasts alike, enriching their festival experience with creativity and inspiration.

Film Screenings

The other highlight of the India Art Festival, Bengaluru, is the screening of the enlightening film, "The Eternal Canvas – 12,000 Years Journey through Indian Art." This cinematic masterpiece offers an immersive exploration of India’s rich artistic heritage, tracing its evolution from prehistoric cave paintings to the vibrant expressions of contemporary art.

Through captivating visuals and compelling narratives, the film provides a panoramic journey across millennia, celebrating the profound creativity and cultural legacy of Indian art. Visitors are invited to experience this visual odyssey on December 20, 21, and 22, with screenings scheduled from 5:30 PM to 7:00 PM each day.
This feature adds a dynamic dimension to the festival, offering an educational and inspiring experience for art enthusiasts and history lovers alike.

Praveen Kumar

Artistic Pavilion and Global Participation

This year’s Artists’ Pavilion will feature 300 independent artists presenting their works alongside 100 established artists represented by galleries. Participating galleries include Bengaluru-based Space Edge, Sara Arakkal Galerie, and Gallery Charvi, along with prominent names from Mumbai, Delhi NCR, and beyond, including international galleries like Gnani Arts (Singapore) and Artconcept (Dubai).

Participating Art Galleries:

Bengaluru : Space Edge, Sara Arakkal Galerie, Shiny Colors Art Gallery, ReIGNITE EDTECH PVT LTD, Akanksha Art Gallery, iArt Gallery, ASR Art Studio, Gallery Charvi

Mumbai: House of Emerge, Rhythm Art, Studio Monica Ghule, Studio Pankaj Bawdekar, Nitya Artists Centre, Bouquet of Art Gallery

New Delhi & NCR: Gallery Pioneer, Pastel Tale, OPS Art Gallery, Uchaan, Artecious World Art Gallery, Aura Planet, Artehut, Merakii Art House, Eminent Art Gallery,

Gnani Arts, Singapore, Artconcept, Dubai
Artsbreeze Art Gallery, Hyderabad, Pichwaiwala Narendra Art, Udaipur, Smita Art, Kolkata
M Narayan Studio from Pune.

Event Details

Dates: December 19 to 22, 2024
Venue: Kings Court, Palace Ground, Gate No. 5, Bellary Road, Near Mekhri Circle, Bengaluru
Timings: 11:00 AM to 8:00 PM
Tickets: Day Pass ₹299, & Season Pass ₹499 available on BookMyShow.com and at the venue

- Excerpt from press release

15 Mar 2023

Art News: Wilderness Escapades by Krish Iyer

Reconnecting with the past

Bangalore based artist Krish Iyer presents his recent suite of paintings that reimagine sculptures of Khajuraho temples, which decades ago, had set him on a path of creative expression. Iyer revisited the site recently, which is located in a densely forested region, rich in natural flora and fauna. In the temple art and architecture with its iconographic symbolism and its philosophical and spiritual moorings, Iyer has found a way to reconnect with the past, and re-envision it in his art, in a contemporary context.

Abstract painting 1 by Krish Iyer, Art Scene India

Painting by Krish Iyer

The large format paintings in ‘Wilderness Escapades’ reference these sculptures and the underlying premises, to create a spatial interplay of light, colour and texture to suggest the form, postures and gestures of the stone statues in a quasi-representational style. The artist’s interpretations are moored around the historicity of the temples, their geography - located as it is amidst forested land and wilderness, with their beauty and splendor remaining undiscovered for centuries. And, their subsequent desecration by invaders, all of which weave an intriguing narrative of mystery and mystique, of magnificence and ruin, of worldwide fame and remoteness. The art and architecture of the Khajuraho temples combined with their religious, cultural and historical significance form an intrinsic part of their allure. Numerous stories, philosophies and other intangibles lie beneath the surface of the stones, creating sagas of seduction, lure and enigma.

Krish’s canvases explore these histories, the abstracted notions of human potential, philosophies of living, corporeality of the flesh and temporality of life. The visual semantics are anchored in formal aesthetics, with defined line drawings marking the canvas, while the abstract expressionist approach at later stages lends critical layers of texture, and simultaneously recontextualizes historical content.

Painting by Krish Iyer

The tactile surface of the works emerges from heavy textures, layers of dripping paint, and several applications of thick acrylic paint using the impasto technique. The palette knife and other tools transform the canvas, to add depth and dimension, to strip off extraneity and to emphasize salient features of the physical form. Transcendence, man and nature (re)union, the cycle of life and rebirth, and joy of living are some of the key principles that are depicted at Khajuraho temples, and it is these that Krish seeks and attempts to portray in his works. The deliberate obliteration of details in the figures, and the structurally accurate forms that replicate their defiled state, are incandescent with the ironies of transience – both natural and as outcomes of anarchist interventions.

Despite the precision of line drawings that form the basis of the works, Iyer’s methodology is essentially non-mimetic. The gradual yet decidedly gestural transformation of the painting surface as a pictorial array of subconscious thoughts and patterns rescinds identifiable characteristics and accentuates the metaphorical import.

After a successful career in commercial art, Krish has returned to painting with this solo exhibition - to pursue subjects and themes that resonate with him. A chance encounter with the Khajuraho temples almost three decades ago, stayed with him through the years and a strange yearning drew him back to them recently. This series originated from the revisit, marked by an innate desire to reconnect with nature, and to allow subconscious thoughts and emotions to surface and transform on canvas. With this exhibition, Krish attempts to break the invisible shackles that have contained his creativity all these years and to realize his inner potential.

Nalini S Malaviya
Art Critic
March, 2023

- Catalogue text

The exhibition 'Wilderness Escapades' continues from March 20-26 at Karnataka Chitrakala Parishath, Bangalore. For further details contact 9900094466. Visit Wilderness Escapades (krishiyer.in)

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28 Jan 2023

apexart International Open Call 2023-24

apexart International Open Call 2022 winning exhibition "Can you fuck it?" - The Fembot Phenomenon, curated by Amanda Knox - Tokyo 2022

apexart International Open Call 2023-24

Accepting proposals: February 1 - March 1, 2023

apexart will accept proposals for its International Open Call from February 1 - March 1, 2023. Four winning proposals will become apexart exhibitions presented in their selected locations around the world as part of their 2023-24 exhibition season. Curators, artists, writers, and creative individuals, regardless of location or past experience, are invited to submit a proposal online.

The submission process

Proposals of up to 500 words should describe focused, idea-driven, original group exhibitions, and the country and city in which they are to take place. No biographical information, CVs, links, or images will be accepted, and proposals must be submitted in English. Jurors rate anonymous submissions based on the idea only. See examples of winning proposals here.

The selection process

Rather than convene a panel of a few art world people to review hundreds of ideas, apexart’s crowd-sourced voting system invites hundreds of international jurors to review proposals on their own schedule. The crowd-sourced jury is composed of more than 600 individuals from a wide variety of professional backgrounds and international locations—including students from 17+ participating university classes—who will vote on the proposals. Proposals are anonymous and randomized to make sure each submission receives the same consideration. apexart staff does not influence the results of the jury in any way.

The results

The four winning proposals will each receive an exhibition budget of up to $11,000; have an exhibition brochure printed and mailed to over six thousand international recipients; advertising in major and local outlets; and will be part of apexart’s 2023-2024 exhibition season. Working closely with the apexart team, curators will realize their original ideas into apexart exhibitions. Exhibition curators are challenged, encouraged, and required to work within the funding provided to transform their winning proposals into small, focused, noteworthy exhibitions.

To submit an exhibition proposal, visit https://apexart.org/opencalls.php between February 1 and March 1, 2023.

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1 Dec 2022

Art News: India Art Festival in Bangalore

India Art Festival attracts over 30 galleries and 400 artists for its second edition in the city

The 2nd Edition of India Art Festival (IAF) in the city starting from December 08 – 11 at the Palace Ground, Kings Court, Gate No. 5, Bellary Road, has grown in scale and size this year, bringing cutting-edge contemporary art to the city, presented by over 30 Art Galleries and 400 artists, coming from 40 different cities across India, Singapore and USA.

Opening on December 08, the 2nd Bengaluru edition of IAF will bring all forms of artistic expressions in the art fair including painting, sculptures, photography, ceramics, installations, offering insights into current art trends in India and Asian diaspora.

India Art Festival, Bangalore, Image for Art Scene India

Aditiraje Bhonsle

Founded in 2011 by the publishers of Indian Contemporary Art Journal, IAF is the only art fair held annually in three metro cities and which has mounted 22 editions so far at Mumbai, New Delhi and Bengaluru.

Whether, it is a seasoned art collector, or a new art buyer who want to acquire the first piece of art, the India Art Festival with 4000 pieces of art across 100 booths, on display at the Palace Ground is a perfect place to fall in love with art. At IAF, the art collectors are spoilt for choices to choose from many mediums and styles - oil paintings, acrylics, water colour, original prints, installations, drawings in myriad styles dealing with varied subjects including landscapes, figurative, abstracts, cityscapes, seascapes, urban and rural scenarios, portraits, nudes, semi-nudes, religious art, traditional paintings, murals, warli art and many more.

The master artists displayed by the galleries include Sakti Burman, Yusuf Arakkal, Lalu Prasad Shaw, S G Vasudev, Laxman Aelay, Gurudas Shenoy, Laxma Goud, Jatin Das, Jogen Chowdhury, Manu Parekh, N S Harsha, P Gnana, Seema Kohli and many others.

Yusuf Arakkal

The Artists’ Pavilion with individual booths by independent artists is so designed as to create a dialogue between the viewers and the art maker, and the artist. It also encourages dialogue between the art market and the artists directly. Here the sale and purchase of the artwork is on an open platform and the buyer or collector can approach an artist and the choices are numerous.

Vinita Dasgupta

This kind of freedom is rarely possible as both the artist and the buyers benefit from this arrangement. India Art Festival Director Rajendra says, "the process of democratizing ‘art viewing and buying’ initiated twelve years ago in Mumbai sort of became a movement; the growing interest in Indian contemporary art slowly made this movement spread to New Delhi and Bengaluru covering significant length and breaths of our country."

Apart from 200 established artists exhibited by art galleries, more than 200 independent artists are displaying in the ‘Artists’ pavilion’ at the art festival. The subjects broached by the artists vary from personal experiences to intense narratives.

Dhyana Das

'Tripurasundari’, a feminine mystique of the goddess by artist Dhyana Das and Kalyani Ravishankar’s ‘Radha-Krishna’, both blend the nuances of classical paintings and contextualize them within Indian religious sensibilities.

In another instance, artist Karthik Kamath, Sonali Surana and Tejaswi depicts embodiment of renunciation, Buddha, the enlightened one in his splendid aura with wavy hair curls & the monastic robe covering both shoulders and arranged in heavy classical folds.

Sunitha Krishna, Smita BP, Kalyani Sinha and Tripti Pandey indulge in an artistic imagery using religious images, cultural symbols and motifs that touches the spiritual chord of the viewers.

Artists Gaurav Dagar, Jyothi Prakash and Prakash Bal Joshi beguile the viewers with their abstract composition using pure forms & colours, whereas artist Muthukrishnan Ramalingam and Rajitha Bonthala chose the middle path of semi-abstract idiom to present their visual stories.

Wildlife, animal and bird paintings is one of the oldest art forms found since ancient times in the cave art. Animal and bird art have come a long way since then in technique and imagination and occupies major part of the contemporary art space in India. Artist Isha Valentine’s symbolic deer with antlers, Priyanka Sehgal’s Sunbird, big cats and elephant by artist Apurba Das, Shakila Ananth and Sudha Anandampillai displayed in the art festival is a fusion of art elements found in Bundi style of traditional art with contemporary times.

Akshata Shetty

The black and white paintings displayed in the art festival by Akshata Shetty, Beena Surana, Om Thadkar, Preeti Baliga, and Priyanka Maurya prove that the paintings need not have to be always done in striking colours to create visual splendour! Viewers are bound to be mesmerize by the unfolding visual drama of muted blacks, ash greys, dark flashes, starry whites with harsh shadows employed in the work of Om Tadkar in his galloping white stallion, whereas Priyanka Mauraya’s dreamy flowery land and symbolic portraits of all sorts by Akshata Shetty and Preeti Baliga creates powerful viewing; these paintings can go with entire range of minimalist modern décor & interior to create aesthetic ambience around living spaces.

Since ancient times to modern times, from fertility goddess to modern-day multitasker, artists have always enjoyed exploring the subject matter of women folk in art. But when the subject is explored by female artists herself, it assumes different significance like artist Geeta Yerra, Parul Sharma and Swati Burde who are exhibiting in the art festival.

P Gnana

The figurative works by Ravi Verma and Vanita Gupta along with Atul Todi and Jayaram Krishna’s figures emerging through geometric patterns on closer look is an added in attraction for viewers.

The notion of beautiful and sublime with sharp contrasts of light and shadow is exemplified in the landscapes by Poornima Deepak and Reema Ravindran whereas Deepshikha Bishoyi, Mridul Garg, Pooja Muthuraj, Shankari Kundu, T V Sairam and Vidhu Pillai prefers suggestive style of abstract landscape which focuses more on expressing emotion while still capturing the essence of a landscape. Seena Mani’s cityscape, Aditiraje Bhonsle, and Kasturi Dutta’s flowerscape are different genre in landscape painting in the art festival that would leave a lasting impression on the viewers.

Among several others noticeable works by master artists, the artists pavilion present a fresh face of India Art Festival at the Garden city. India Art Festival, with mammoth art collection of all sorts of art under one roof is a one stop mega art jamboree for art enthusiasts in this week to enjoy art without getting tired in hopping around art paces in city!

The participating art galleries include Akanksha Art Gallery, Charvi Art Gallery, Green Footprint

Laxman Aelay

Art Gallery, H Art Gallery, Karnataka Chitrakala Parishath, Sara Arakkal Gallerie (all Bengaluru), ArtDesh Foundation, Artvista, House of Emerge, Nitya Artists Center, Studio Pankaj Bawdekar, Studio Rustgrey, Studio3 Art Gallery, The Bombay Art Society, thecurators.art (Mumbai) , ArteHut, Eminent Art Gallery, Gallery Pioneer, Nifa Art Gallery, Gallery Vision Art (New Delhi), Pastel Tale & Uchaan (Gurgaon), Gnani Arts (Singapore), Kalabhawan (Agartala), M Narayan Studio (Pune), Pichwai by Beyond Square (Udaipur) and Subodh Fine Art Studio (California, USA) among others.

India Art Festival will be on from 08 to 11 Dec 2022 at Kings Court, Palace Ground, Gate No.5, Bellary Road, Near Mekhri Circle, Bengaluru from 11 am- 8.30pm on all days.

For further details contact: 9820737692

Excerpted from the press release

8 Sept 2022

Art News: Art from Heart 2.0

Avijit Dutta

“Art from Heart 2.0”, a charity group art exhibition

More than 30 artists from all over the country are joining hands for the second series of the charity group art exhibition, “Art from Heart 2.0”, is being organized by Mamta Nath, Founder & Director, The Lexicon Art and Artist Swati Pasari from Kolkata at The Lexicon Art, Connaught Place from Sep 3rd till Oct 7th, 2022.

“The exhibition aims at representing the diverse and rich cultural heritage of India while raising funds to support the multiple community service activities being carried across India by Round Table India. This is the second in series, the first being held online in April 2020 to raise funds for covid victims and their families. Its heartening to witness the art community coming together for such noble initiatives, we are looking forward to continuing with this annual event to be able to touch more lives”, says Mamta Nath.

Some of the most renowned names in the art world are part of this exhibition, viz., Avijit Dutta, Gurudas Shenoy, Madhuri Bhaduri, Niren Sengupta, Seema Kohli, Swati Pasari, Venkat Bothsa and Vinita Karim.

Vinita Karim

“We are delighted to associate with The Lexican Art once again for raising funds for our various social causes. While in 2020 funds were diverted to help Covid victims, this year, we plan to divert them to our long-term Project, “Freedom through Education”. Through this project, we have educated approximately 9 million underprivileged children throughout India and have built one classroom a day, every day, during the last decade”, says Manish Lakhotia, National President, Round Table India.

Till Oct 7th, 2022, 11 am – 7 pm at The Lexicon Art, M 12, Block M, Connaught Place, New Delhi

Excerpt from the Press Release