Showing posts with label Art Scene India. Show all posts

27 Jan 2026

apexart International Open Call 2026-27

Opening of Skate, Create, Liberate: Women Artists and the Future of Radical Space in Ethiopia, an open call winning exhibition curated by Betelihem Zena, 2025

apexart INTL Open Call for group exhibitions

Accepting proposals: February 1 - March 1, 2026

apexart invites 500 word idea-based group exhibition proposals for 2026-27 INTL Open Call from February 1 - March 1, 2026. Five winning proposals will each receive a $10k exhibition budget to become apexart exhibitions in their respective locations around the world as part of their 2026-27 exhibition season. Curators, artists, writers, and creative individuals, regardless of experience level or location, are invited to submit a proposal online.

The submission process
Proposals should describe a focused, idea-driven, original group exhibition of 3 or more artists. No biographical info, CVs, links, or images will be accepted. Submissions cannot exceed 500 words and must be submitted in English. Jurors from 85 countries then jury the proposals based on their personal interest, cultural assessment, content and communication of the idea. See examples of winning proposals here.

The selection process
Rather than a typical 5-person panel to review hundreds of ideas, apexart’s crowd-sourced system involves hundreds of jurors from more than 85 countries, reviewing proposals at their own schedule over one month. The jury is composed of up to individuals from a wide variety of professional backgrounds and international locations including students from 20 participating university classes who will rate the proposals. Proposals are anonymous and randomized to ensure each submission receives equal consideration, resulting in more than 30,000 votes on over 600 proposals. apexart staff does not influence the results of the jury in any way.

The results
Each of the five winning proposals will receive an exhibition budget of $10,000; the exhibition brochure, printed and mailed to over six thousand international recipients; and to be a part of apexart’s 2026-2027 exhibition season. apexart provides full admin and logistics support, assisting curators to realize their original ideas into apexart exhibitions. Exhibition curators must work within the funding provided to transform their winning proposals into focused, noteworthy exhibitions.

To submit an exhibition proposal, visit https://apexart.org/opencalls.php between February 1 and March 1, 2026.

To contribute articles, please get in touch at artsceneinfo@gmail.com

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8 Dec 2025

Art News: India Art Festival Bengaluru, December 2025

India Art Festival returns to Bengaluru with its 5th edition

Over 3,000 artworks, 20+ galleries and 300 artists under one roof

India Art Festival (IAF) is back in Bengaluru for its fifth edition from 12 to 14 December 2025 at the Crown Pavilions, Palace Ground, Gate No. 5.

India Art Festival 5th Edition, Bengaluru, 12-14th Dec, Palace Grounds; Art Scene India

Laxma Goud

The Bangalore art market is expanding rapidly in proportion to its population. Currently, its population is almost half of that of Mumbai and Delhi. Rajendra Patil, Director of India Art Festival elaborates, “the city has a large, diverse, and growing community that enjoys art, right from young professionals, families, and art buyers all of whom actively visit art events. In fact, people come to the art festival not just to see art but also to find artworks that make their homes feel more inspiring. Bengaluru also has museums, cultural spaces, historical landmarks, and many corporates that support creative activities. All of this makes the city a strong place for artists to present their work and for the festival to reach new audiences.”

Rajendra recollects that when India Art Festival began in Mumbai, there was no art fair in the city. “Similarly, when we started the festival in Bangalore five years ago, there was no platform where galleries and artists could come together with the city’s art lovers. Clearly, there was a real need for such a space and we are happy to be back in Bengaluru.”

As part of the India Art Festival, for three days, the city will host a vibrant showcase of contemporary Indian art, bringing together over 20 galleries and 300 artists from 25 cities across India.

This year’s edition will feature a wide range of artworks across mediums – including paintings, sculptures, photographs, ceramics, installations, traditional art forms and more – making it a must-visit for both seasoned collectors and first-time buyers.

It is to be noted that the art market and the profile of art buyers in India have changed a lot in the past decade. Earlier, it was mainly large corporates who bought art, but now individuals are buying more art for their homes and offices.

Yusuf Arakkal

According to Rajendra, “There’s also a big shift from the real-estate and interior design end. Developers and interior designers are constantly looking for good artworks that are not necessarily expensive - pieces that are original, appealing, and fit well into modern living spaces. Another noticeable change is that many new bankers, tech professionals, and young homeowners are buying art too. They may not think of themselves as “collectors” because they usually buy only a few pieces. They buy art simply because they like it, not because they’re thinking about investment.

In all major cities, this group of spur-of-the-moment, first-time art buyers has increased in huge numbers. And events like India Art Festival play a key role in expanding this circle of art patrons. By bringing galleries, artists, and the public together under one roof, the festival makes art more accessible and encourages many new people to start buying and appreciating art.”

Ramesh Gorjala

IAF, 12 - 14 December 2025, Bengaluru

More than 3,000 artworks will be on display, ranging from oil, acrylic and watercolour works to mixed media, installations and regional art traditions. The festival aims to make art accessible and enjoyable for everyone – whether you’re an art connoisseur, a young collector, or simply curious about the world of art. India Art Festival has always focused on creating a balance between emerging talent and established masters. This year too, young and independent artists will show their works alongside eminent names in Indian art, offering visitors a rich and diverse view of today’s contemporary art scene.

Special Curated Exhibition: Brushstrokes of Karnataka

One of the major highlights of this year’s festival is the specially curated exhibition ‘Brushstrokes of Karnataka’, led by Prof. K.S. Appajaiah. This showcase brings together the works of more than 30 renowned artists from Bengaluru and across Karnataka, celebrating the state’s breathtaking landscapes and rich heritage. From the historic ruins of Hampi and Badami to the lush Western Ghats and diverse regional terrains, the exhibition captures the true spirit and beauty of Karnataka.

The Artists Showcasing in Brush Strokes of Karnataka include ‘Kantharaj N, Dundappa S Lolasoori, Shrisail Shrimant Kamate, Lingaraju M S, Prahallad K V Acharya, Chetan C S, Manjunath Wali, Syed Asif Ali, Makali K K, VRC Shekhar, Babu Jattakar, Sathish Biradar, Bheemrao K Badiger, Lokesh R, K S Kamatagoudar, Madivalappa S Langoti, Mallappa Halli, Gangadhar Bandanavar, Shirish Deshpande, Shweta, Hemavathi Sadashiv, D Pavan Kumar, Siddanna S Maragol, Roopesh Nanaiah

It stands as a heartfelt tribute to the land—its scenery, its cultural legacy, and its iconic temple architecture.

Rajeev Rai

Artists’ Pavilion: Young talent meets masters

The Artists’ Pavilion will feature more than 200 independent artists, exhibiting alongside around 100 established artists represented by galleries. Promising young artists such as Monica Ghule, Yuvraj Patil, Dev Mehta, Rajeev Rai, Sandeep Ghule, Anil Vergese, Anjali Prabhakar, Kalpana Soni and many others will be presenting their works. Their art will be shown alongside works by renowned masters including Yusuf Arakkal, Krishen Khanna, Manu Parekh, Ramesh Gorjala, T. Vaikuntam, Akbar Padamsee, Laxman Aelay, Seema Kohli and several others, offering visitors a rare chance to see multiple generations of Indian artists in one space.

Participating Galleries

From Bengaluru

Sara Arakkal Galerie, ReIGNITE EDTECH PVT LTD, Gallery Charvi

From Mumbai

House of Emerge, Studio3 Gallery, Studio Monica Ghule, Dev Mehta Art Gallery, Nitya Artists Centre, Curators.art and Chitraksh Art

From New Delhi & NCR

Gallery Pioneer, Uchaan, Artecious World Art Gallery, Aura Planet, Eminent Art Gallery, Shree Yash Art Gallery and Galerie Art Eterne

From Other Cities & Overseas

Gnani Arts, Singapore, Artsbreeze Art Gallery, Hyderabad, Pichwaiwala Narendra Art, Udaipur and M Narayan Studio, Pune

Event Details

Dates: 12–14 December 2025
Venue: Crown Pavilions, Palace Grounds, Gate No. 5, Bellary Road, Near Mekhri Circle, Bengaluru
Timings: 11:00 AM – 8:00 PM
Tickets: ₹199 season pass (valid all three days), available via BookMyShow and at the venue

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3 Nov 2025

Art News: Flux/Resonance at Visual Arts Gallery, Nov 7-11, 2025

Flux/Resonance

Curated by Nalini S Malaviya

Sonali Bose Chasm I

The exhibition Flux/Resonance brings together ten contemporary artists—Biswa Basu, Kantha Reddy, Malay Saha, Naba Kumar Chakraborty, Nandesha Shantiprakash, Partho Chatterjee, Rathin Kanji, Shridhar Iyer, Sonali Bose, and Yusuf—whose works respond to the currency of our times through a conceptual lens. Curated by Nalini S Malaviya, the show interrogates the cyclical nature of decay and renewal, offering a visual and philosophical inquiry into the elements that shape our urban and emotional landscapes.

Malaviya frames the exhibition around the paradox of collapse and regeneration. “The narrative of decay is a complex process involving degeneration and collapse, while simultaneously establishing the framework for the rejuvenation and re-emergence of newer constructs,” she writes in the curatorial note. The artists delve into this dynamic interplay—flux and resonance—as a metaphor for existence, exploring transformation, incoherence, and the tensions embedded in the built environment.

The exhibition navigates the metamorphosis of urban life, probing the interconnectedness between human experience and the cityscape. Themes of technological proliferation, media saturation, and consumerist culture emerge as critical touchpoints, where each artist brings a distinct voice to this collective interrogation.

Rathin Kanji, Seize the night

Biswa Basu deploys abstraction to depict societal disorder, chaos and emotional fragmentation. S. Kantha Reddy fuses mythology, nature, and temporal abstraction in sculptural forms drawn from everyday encounters, while establishing linkages to the past. Malay Saha examines spatial relationships and tensions between objects and human presence in urban settings.

Naba Kumar Chakraborty critiques the proliferative nature of technology and its role in influencing instant gratification. Nandesha Shanti Prakash reflects on the evolving relationship between selfhood and social purpose in contemporary life, and the oscillating nature of life and traits such as resilience. Partho Chatterjee explores chromatic and geometric dialogues between humans and their urban habitats, and the effect of design on these associations.

Rathin Kanji confronts the contradictions of progress—juxtaposing innovation with ecological and cultural decline. Shridhar Iyer captures the cosmic and terrestrial dualities through chaotic yet interconnected visual narratives. Sonali Bose exposes the paradox of digital intimacy versus emotional isolation in her mixed media works. Yusuf offers minimal, metaphor-rich compositions that evoke the psychological terrain of human emotion.

Flux/Resonance offers a space to contemplate on impermanence, contradiction, and the layered complexity of contemporary existence. Through varied visual vocabularies, the artists articulate the chaos and lucidity that define our lived realities, inviting viewers to engage with the subtle interludes of resonance that punctuate the flux of life.

Flux/Resonance featuring paintings, mixed media and sculptural works will be held from November 7-11, at Visual Arts Gallery at the India Habitat Centre, New Delhi.

For info contact: +91 9434592326 / 9831182657

Based on the press release

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9 Sept 2025

Art News: Whispers Between Worlds

Whispers Between Worlds: iArt Gallery’s New Exhibition Invites Viewers into the Subtle

This September, iArt Gallery in Bengaluru presents Whispers Between Worlds (September 12 – October 13, 2025), a month-long group exhibition that gently turns our attention away from the rush of the everyday and towards the subtle spaces that often go unnoticed.

Narayan Lakshman

Showcasing the evocative practices of Narayan Lakshman, Anjali Rajkumar, and Mohit Naik, the exhibition explores the unseen, the in-between, and the almost forgotten. In a cultural moment increasingly defined by urgency, rupture, and excess, Whispers Between Worlds asks viewers to slow down. It offers a space where art does not demand but instead invites; where works do not declare, but whisper.

Located in the heart of Bengaluru on Lavelle Road, iArt is committed to fostering meaningful artistic engagement. Since its inception, iArt has championed Indian contemporary artists whose works are alive with their storytelling, rich textures and innovative techniques.

Anjali Rajkumar

The current exhibition is conceived as a threshold — a porous, liminal space where memory and material, body and landscape, tradition and transition intersect. Each of the participating artists approaches this idea through their own visual language.

Narayan Lakshman’s fragile material interventions explore the persistence of memory and the quiet erosion of time. Anjali Rajkumar layers form and texture in ways that evoke ancestral rhythms while speaking to identities that shift and adapt. Mohit Naik uses meditative gestures to construct local landscapes of reflection, asking viewers to consider the everyday as a site of transformation.

Though their practices are distinct, the three are united in their attentiveness — to the subtle, to the in-between, to the things that resist easy articulation. What gives the exhibition its particular resonance is the way it lingers in the spaces between certainty and ambiguity. Instead of offering answers, the works create atmospheres — moments where viewers are invited to dwell in stillness, to sense rather than to solve.

Mohit Naik

The show positions itself not as a resolution but as an unfolding, a reminder that some experiences exist only in the realm of suggestion and echo.

Exhibition Dates: September 12 – October 13, 2025

Venue: iArt Gallery, Lavelle Road, Bengaluru

Artists: Narayan Lakshman | Anjali Rajkumar | Mohit Naik

With Whispers Between Worlds, iArt Gallery offers its visitors not just an exhibition, but an invitation — to pause, to reflect, and to rediscover the power of the quiet.

For more information Email: contact@iartgallery.in, Phone: +91 9900600473

Connect on https://www.instagram.com/iartgalleria/

For interviews, profiles, sponsored posts and to contribute articles, contact artsceneinfo@gmail.com

12 Jul 2025

Mukesh Sharma’s Art Graces Rushdie’s Latest French Edition

Shalimar le clown book by Salman Rushdie, Art Scene India

Shalimar le clown book cover

Mukesh Sharma’s Art Graces Rushdie’s Latest French Edition

Delhi-based contemporary artist Mukesh Sharma is making headlines with his artwork which has been featured on the cover of the newly released French edition of Shalimar le clown - Salman Rushdie’s celebrated novel, which was first published in 2005.

Sharma reveals that author Rushdie and French publisher Antoine Gallimard came across the painting on his Instagram page. He elaborates, “Salman Rushdie took a liking to it and asked his publishing house to reach out to me.” After several conversations and review of many other paintings as well, their team felt this work was best suited for the cover of the novel.

Mukesh Sharma is a painter, printmaker, and installation artist from Alwar, Rajasthan. He holds an MFA degree in Printmaking from MS University in Baroda, and is known for expressing urban complexities, with imagery inspired by Rajasthani miniature paintings, frescos and block-printing of Sanganer. His work often explores the stresses between human and environmental relationships, while navigating intersecting concerns - the isolating effects of social media, the excessive use of technology and a capitalist culture.

Mukesh Sharma

Sharma integrates ready-made materials, including e-waste such as parts of scrapped keyboards into his work to distill complex ideas into accessible visual narratives. His process forms a critique of consumerism while exploring technology’s influence on contemporary life, creating compelling narratives.

Revitalizing Memories, 2021, acrylic on canvas, which is now on the book cover, blends keyboard imagery with 'myth, memory, and identity'. Drawing from Indian miniatures and Panchatantra tales, it reflects on technology’s role and the blurred lines between control and manipulation. Sharma explains that, through this fusion, he critiques scenarios where the boundaries blur, and where it’s difficult to gauge and differentiate between the manipulator or the puppeteer and the puppet.

The 2005 novel Shalimar le clown set in Kashmir and Los Angelos spans continents and explores themes of themes of love, revenge, and betrayal amidst political and cultural differences and unrest. A richly woven story of personal and political transformation, the chronicle navigates identity and ideology, while tracing lasting impacts of violence.

Shalimar le clown continues to enthrall readers, and Sharma’s artwork on the cover of the French folio is bound to attract new audiences with its visual intrigue.

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14 Jun 2025

Beyond the Reopening: Reviving Venkatappa Art Gallery

Venkatappa Art Gallery view, Art Scene India

After months of anticipation and extensive renovation efforts by The Brigade Foundation, the Venkatappa Art Gallery reopened its doors. More than 200 artists and enthusiasts gathered for the ‘Gallery Pravesha’ on the morning of 13th Jun, a day after the official inauguration, which was boycotted by the artist fraternity.

Rumale Chennabasaviah Exhibition

The renovated Venkatappa Art Gallery now has three exhibition spaces for artists, but only one was utilized for the inaugural display: a condensed yet well-presented exhibition on Rumale Chennabasaviah made possible by Sanjay Kabe. The absence of exhibitions in the other two galleries on the ground floor was in my opinion a missed opportunity—an inaugural showcase across all spaces would have added much to the event.

KK Hebbar Gallery

The second floor houses the K.K. Hebbar exhibition, unfortunately, non-functional lighting left a small section in partial darkness, and his publications were not on display, at least one could not spot them. A thoughtful reassessment of the design and display of this space would help in bringing a more coherent and engaged display and do justice to Hebbar’s legacy.

K. Venkatappa’s main gallery on the first floor, however, is well curated and presents his paintings, veenas, awards, and personal memorabilia all displayed in a manner that honours his multifaceted practice and interests. Yet here, too, flickering lights interrupted the experience—a recurring technical issue that needs resolution.

Having said that, all of these concerns are minor in comparison to what has been achieved during the restoration – from addressing leaky ceilings and walls, mold, and cracks, to structural repairs, well designed lighting and accessibility features with ramps and elevators, have made a huge difference. In addition, there is a 100-seat auditorium, a sculpture park, a cafe, and outdoor spaces which have been redesigned.

The overwhelming turnout from artists demonstrated the community’s commitment to supporting institutional spaces. Navigating the exhibits amid the crowds made it difficult to engage with the artworks in depth—and one would have to visit again to view the exhibitions in detail.

The Future

Looking ahead, several crucial aspects must be addressed. Clarity on how artists can book the gallery spaces, the fee structure, and programming guidelines must be communicated in a transparent manner. Furthermore, a dedicated team—comprising curators and art experts—should be established to steer the activities, ensuring thoughtful exhibitions, critical dialogue, and sustained engagement with the space.

Venkatappa Art Gallery with its unique location and its rich history has the potential to be a vibrant cultural hub, once again. With careful planning, artist-centered programming, and infrastructural refinements, it can evolve into an institution that not only preserves artistic legacies but also fosters contemporary conversations. The reopening was a significant milestone—now it’s time to ensure the momentum leads to meaningful change.

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10 Jun 2025

Art News: Venkatappa Art Gallery: Renovation

Venkatappa Art Gallery: Renovation

Rendered drawing only for representation

Established in 1975, the Venkatappa Art Gallery in Bengaluru has hosted generations of artists, fostering creativity and dialogue. However, years of neglect left the institution in dire need of restoration. The renovation was undertaken as part of a Corporate Social Responsibility (CSR) initiative and aimed to modernize the gallery while preserving its historical essence. According to a Bangalore Mirror report, the project was completed at a cost exceeding Rs 8 crore with plans for five exhibition galleries, a permanent collection space, and enhanced infrastructure, including a dedicated artists’ room. The purpose of the restoration was to breathe new life into the venue, and ensure it remains a vital hub for cultural activities.

Despite the excitement surrounding the gallery’s reopening on June 12, controversy has emerged over the alleged ‘exclusion of the local art community’ from the event. While government officials and corporate representatives are expected to attend, many artists—who have long advocated for the gallery’s preservation—have reportedly been left out of the celebrations.

This exclusion has sparked discontent among Bengaluru’s artistic circles as evident through a number of social media posts. It must be pointed out that the gallery’s revival was largely driven by years of lobbying from several artists, who were diligent about keeping it from falling into private hands.

Future of Artistic Spaces

In general, it is important to include artists at every stage to ensure their involvement in shaping cultural institutions, and to avoid a precedent for a ‘top-down management of artistic spaces’, which could reduce opportunities for grassroots engagement.

Artists and cultural advocates are now calling for greater transparency and inclusivity in the gallery’s future programming. While the renovation is a welcome development, its success will ultimately depend on how well it serves the artistic community it was built for.

As Bengaluru’s art scene continues to evolve, the Venkatappa Art Gallery stands at a crossroads—will it remain a true home for artists, or become a polished but detached institution? The answer lies in how its custodians respond to the voices of those who have long fought for its survival.

What are your thoughts and suggestions on this topic?

Note: the article was updated on Jun 11

16 Dec 2024

Art News: India Art Festival Bengaluru, December 2024

India Art Festival Bengaluru, December 2024: A Grand Celebration of Art and Culture

Bengaluru: The much-awaited India Art Festival (IAF) is set to return to Bengaluru for its fourth edition, enthralling art lovers from December 19 to 22, 2024, at the Palace Ground, Kings Court. This edition promises to be the most expansive and diverse yet, bringing together an unprecedented number of participants to celebrate art.

India Art Festival, IAF Bangalore 2024, Image for Art Scene India

Lalu Prasad Shaw

With over 30 galleries and contributions from 350 artists representing 30 cities across India, the art festival will showcase a wide array of artistic expressions, from paintings and sculptures to photography, ceramics, and installations. This year’s IAF highlights the vibrancy of India’s contemporary art scene, providing a platform to explore its latest trends and innovations.

A Feast for Art Enthusiasts

Opening on December 19, the art festival offers visitors a chance to immerse themselves in a rich tapestry of artistic diversity. Over 3,500 pieces of art, spanning oil paintings, acrylics, watercolours, installations, traditional art, and much more, will be displayed at the Kings Court, Palace Ground. The event aims to captivate both seasoned collectors and first-time buyers, ensuring a comprehensive art experience for all.

India Art Festival has consistently fostered a balance between supporting emerging talents and showcasing works by established artists, creating a unique platform for artistic expression. In this edition, young and independent artists will shine alongside eminent names, offering a fresh perspective on contemporary art.

Special Exhibitions and Events

Chandra Battacharya

A key highlight of this year’s India Art Festival is the curated exhibition, "Shaping Horizons: Karnataka’s Iconic Innovators," masterfully curated by Prof. K.S. Appajaiah. This remarkable showcase celebrates the pioneering works of 30 distinguished artists, including S.G. Vasudev, Gurudas Shenoy, M.S. Murthy, M.J. Kamalakshi, C. Chandrashekhar, J.S. Khanderao, V.G. Andani, Sudha Manohar, Hemavathi Umamaheswar, and others. Together, these luminaries have profoundly influenced and shaped Karnataka’s art landscape, leaving an indelible mark on the cultural fabric of the region. This exhibition is a tribute to their enduring legacy and a celebration of their visionary contributions to the world of art.

Laxman Aelay

IAF Creative Excellence Awards

The India Art Festival (IAF), a premier platform celebrating contemporary art and artists, proudly reintroduces its IAF Creative Excellence Awards in this edition. Established in 2011, these prestigious awards honor the creativity, innovation, and dedication of artists participating in the festival. Open to both independent artists and those represented by galleries, the awards recognize outstanding talent showcased across IAF editions in New Delhi, Mumbai, Bengaluru, and Hyderabad.

Each award includes a memento, a certificate of appreciation, and a cash prize of ₹50,000, presented to two selected artists. The winners are chosen by an independent jury comprising two esteemed figures from the art world. The awards will be ceremoniously presented during the opening ceremony of the India Art Festival on December 19, 2024, at 11:30 AM at Kings Court, Palace Grounds, Bengaluru. This initiative underscores IAF's commitment to nurturing artistic excellence and celebrating the diverse talents that enrich the contemporary art scene.

Fusion Shows

Amit Bhar

Every year, the India Art Festival offers an enchanting convergence of music and visual art, blending the universally beloved medium of sound with the evocative, often intricate language of visual expression to craft an immersive sensory experience. This year, the festival elevates its cultural repertoire with captivating fusion performances and live painting sessions featuring renowned artists P. Gnana, Manjegowda, and Eby N Joseph, accompanied by exceptional musicians Subramanya Hegade (Sitar), Prasanna Ballal (Mandolin), Shrinidhi Katti (Flute), and Sandeep M (Tabla).

These dynamic collaborations will transform the festival into a vibrant cultural hub, offering audiences a harmonious interplay of art and music on December 20, 21, and 22, from 3:30 PM to 5:00 PM. This unique synthesis promises to captivate art and music enthusiasts alike, enriching their festival experience with creativity and inspiration.

Film Screenings

The other highlight of the India Art Festival, Bengaluru, is the screening of the enlightening film, "The Eternal Canvas – 12,000 Years Journey through Indian Art." This cinematic masterpiece offers an immersive exploration of India’s rich artistic heritage, tracing its evolution from prehistoric cave paintings to the vibrant expressions of contemporary art.

Through captivating visuals and compelling narratives, the film provides a panoramic journey across millennia, celebrating the profound creativity and cultural legacy of Indian art. Visitors are invited to experience this visual odyssey on December 20, 21, and 22, with screenings scheduled from 5:30 PM to 7:00 PM each day.
This feature adds a dynamic dimension to the festival, offering an educational and inspiring experience for art enthusiasts and history lovers alike.

Praveen Kumar

Artistic Pavilion and Global Participation

This year’s Artists’ Pavilion will feature 300 independent artists presenting their works alongside 100 established artists represented by galleries. Participating galleries include Bengaluru-based Space Edge, Sara Arakkal Galerie, and Gallery Charvi, along with prominent names from Mumbai, Delhi NCR, and beyond, including international galleries like Gnani Arts (Singapore) and Artconcept (Dubai).

Participating Art Galleries:

Bengaluru : Space Edge, Sara Arakkal Galerie, Shiny Colors Art Gallery, ReIGNITE EDTECH PVT LTD, Akanksha Art Gallery, iArt Gallery, ASR Art Studio, Gallery Charvi

Mumbai: House of Emerge, Rhythm Art, Studio Monica Ghule, Studio Pankaj Bawdekar, Nitya Artists Centre, Bouquet of Art Gallery

New Delhi & NCR: Gallery Pioneer, Pastel Tale, OPS Art Gallery, Uchaan, Artecious World Art Gallery, Aura Planet, Artehut, Merakii Art House, Eminent Art Gallery,

Gnani Arts, Singapore, Artconcept, Dubai
Artsbreeze Art Gallery, Hyderabad, Pichwaiwala Narendra Art, Udaipur, Smita Art, Kolkata
M Narayan Studio from Pune.

Event Details

Dates: December 19 to 22, 2024
Venue: Kings Court, Palace Ground, Gate No. 5, Bellary Road, Near Mekhri Circle, Bengaluru
Timings: 11:00 AM to 8:00 PM
Tickets: Day Pass ₹299, & Season Pass ₹499 available on BookMyShow.com and at the venue

- Excerpt from press release

27 Jan 2026

8 Dec 2025

India Art Festival returns to Bengaluru with its 5th edition

3 Nov 2025

Flux/Resonance

9 Sept 2025

Whispers Between Worlds: iArt Gallery’s New Exhibition Invites Viewers into the Subtle

12 Jul 2025

Mukesh Sharma’s Art Graces Rushdie’s Latest French Edition

14 Jun 2025

The Future

10 Jun 2025

Venkatappa Art Gallery: Renovation

Future of Artistic Spaces

16 Dec 2024

India Art Festival Bengaluru, December 2024: A Grand Celebration of Art and Culture

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