Showing posts with label Art Scene India. Show all posts
Showing posts with label Art Scene India. Show all posts

30 Oct 2026

Understanding Tax Implications on Art in the Indian Context

 The Tax Behind the Canvas: What India’s Income-tax Law Means for Artists, Galleries and Collectors

By Subathra Mylsamy


An artist sells a painting to a gallery, and the gallery sells it to a collector. Years later, the collector decides to sell it. Although the artwork has not changed, the tax consequences of these transactions can be quite different.

The Income-tax Act, 2025, which came into force on 1 April 2026, provides the current legislative framework. For artists, galleries and collectors, understanding how the law applies to each transaction is an important part of managing the financial side of art.


For the Artist: What Counts as Taxable Income?

When an artist regularly creates and sells paintings as a commercial activity, the profits will generally be taxable as business or professional income, depending on the nature of the activity.

Section 34 of the Income-tax Act, 2025 permits deductions for expenditure incurred wholly and exclusively for business or professional purposes, subject to the statutory conditions. Eligible expenses may include art materials, studio rent, assistants, framing, transportation and sales commissions. However, personal expenses and capital expenditure are not deductible.

Artists should also distinguish between selling an original painting and transferring its copyright. A buyer may acquire the physical work without acquiring the right to reproduce or commercially use its image. Where reproduction, licensing or copyright assignment is involved, the agreement should clearly specify the rights being transferred and the consideration payable.

Understanding Tax Implications on Art in the Indian Context, Image for representation only
Photo courtesy Pixabay
For the Gallery: Buying Art or Selling on Commission?

The tax treatment of a gallery depends, in part, on whether it purchases artwork for resale or sells it on behalf of an artist.

A gallery that buys a painting for resale generally treats it as stock-in-trade. The sale proceeds and the cost of the painting are reflected in its business accounts, and the resulting profit contributes to the taxable business income.

Illustration: Consider a painting sold for ₹5 lakh under an agreement allowing the gallery a 20% commission. The gallery earns ₹1 lakh, while ₹4 lakh remains payable to the artist, before any other agreed adjustments. In the above scenario, both the gallery and the artist would be liable to pay tax on their respective earnings.

In a genuine agency arrangement, the gallery ordinarily accounts for its commission as its own revenue rather than treating the entire sale proceeds as its income. The contract, actual conduct and accounting records must support this treatment.

Gallery owners should document the agreed commission, ownership of the artwork, custody arrangements, expenses and payment deadlines. Applicable tax-deduction-at-source obligations should also be examined.

Calling an arrangement a consignment does not, by itself, determine its tax treatment.


For the Collector: Is a Painting a Personal Asset?

A collector may purchase a painting purely for personal enjoyment and display it at home for decades. That does not automatically make its eventual sale tax-free.

Section 2(22) of the Income-tax Act, 2025 excludes paintings, drawings, sculptures and other works of art from the personal-effects exclusion from capital assets. A gain on resale may therefore attract capital-gains tax even when the painting was never purchased for commercial purposes.

As per Section 2(101) read with Section 2(67), a painting held as a capital asset for more than 24 months will generally qualify as a long-term capital asset. Section 197 provides a general long-term capital gains tax rate of 12.5% without indexation, subject to applicable provisions and the taxpayer’s circumstances.

Section 72 governs the computation of capital gains, allowing eligible transfer expenses and acquisition and improvement costs to be deducted. Collectors should preserve purchase invoices, payment records and evidence of qualifying expenditure. Without these, establishing the cost of a painting acquired many years earlier can become difficult.


For Inheritance: Why the Original Purchase Records Matter

An inherited painting does not automatically attract capital-gains tax simply because ownership passes to an heir. Under Section 70, specified transfers under a will or gift are not treated as transfers for capital-gains purposes.

However, a subsequent sale by the heir may attract tax. Under Section 73, the previous owner’s acquisition cost generally remains relevant when determining the cost of an inherited asset. The previous owner’s holding period may also count under the applicable provisions.

For families with art collections, preserving acquisition invoices, ownership records and evidence of qualifying improvements can make future transfers considerably easier.


What Every Participant in the Art Market Should Know

Before a painting changes hands, the parties should understand what is being sold, how the proceeds will be treated and which records must be retained.

For artists, this means documenting income and eligible expenses. For galleries, it means distinguishing purchases from agency arrangements. For collectors, it means retaining acquisition records and understanding the potential tax consequences of resale.

In the art market, tax treatment depends on the nature of the transaction and the character of the holding—not simply on the price or prestige of the painting.


Disclaimer: This article is intended for general information and educational purposes only. It does not constitute legal or tax advice. The application of tax law depends on the facts and circumstances of each case; readers should seek appropriate professional advice before acting on any matter discussed here.


This Guest Post is by Subathra Mylsamy, who is a lawyer and Managing Partner at A.K. Mylsamy and Associates LLP, bringing her background in fine arts and law to the intersection of art, legal rights, taxation and ownership in India.  


To contribute articles, please get in touch at artsceneinfo@gmail.com



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14 Apr 2026

Camera Yoga™ & Nature Art Films – Anil Annaiah’s New Paradigm in Art & Mindfulness

Anil Annaiah Introduces Camera Yoga™ & Nature Art Therapeutic Films as a New Paradigm in Art, Mindfulness, and Well-being

Bengaluru, India — Filmmaker, artist, author, and innovator Anil Annaiah announces an expanding body of work that brings together handcrafted Nature, Art, and Mindfulness through his signature concept Camera Yoga™ and Nature Art Therapeutic Films—positioning them as powerful tools for emotional well-being, awareness, and experiential engagement. 
Anil Annaiah Camera Yoga nature art photography

A New Paradigm in Art and Mindfulness

Anil Annaiah’s work emerges from a deep, intuitive alignment with nature and visual storytelling.

What started as Nature Art photography evolved into a profound practice—one that goes beyond capturing images to cultivating awareness, stillness, and emotional balance. Through years of mindful immersive observation and creative exploration, Camera Yoga™ has taken shape as a method that transforms “seeing” into a meaningful inner experience. As he says, “Camera Yoga™ is not just created. It is realized.” 
Anil Annaiah Camera Yoga nature art photography

Public Survey on Emotional Well-being

As part of this evolving initiative, a public survey has been launched to study the impact of Nature Art Therapeutic Films on individuals. The survey is an integral part of Anil's 13th year of Earth Day Celebrations, and the initiative seeks to demonstrate the transformative power of art and mindfulness by measuring how Camera Yoga™ and Nature Art Therapeutic Films influence emotional well-being. Through immersive visual experiences, the project aims to:
  • Elevate Emotional Health: Foster calm, joy, and resilience by engaging with nature-inspired imagery.
  • Enhance Mental Clarity: Encourage focus, stillness, and mindful awareness in everyday life.
  • Boost Energy & Mood: Use visual storytelling as a catalyst for positivity and vitality.
  • Promote Holistic Well-being: Position art as a therapeutic tool that bridges creativity, science, and human experience.

By inviting public participation in surveys and workshops, the initiative not only validates the impact of art on wellness but also builds a collective movement where creativity becomes a pathway to healing and connection.

This effort is designed to bridge art, human experience, and measurable outcomes, contributing to a growing conversation around art as therapy.

Participants are invited to contribute and be part of this meaningful exploration. 
Click here for the survey 

Upcoming Workshops & Subscription-Based Programs

Anil Annaiah will soon introduce guided Camera Yoga™ workshops and subscription-based programs, offering structured engagement for individuals seeking mindful and creative practices.
  • These programs are designed to:
  • Encourage deeper observation and connection with nature
  • Promote emotional balance through visual expression
  • Provide a guided pathway into art-based mindfulness
  • Explore the therapeutic dimensions of creative practice
More details and schedules will be announced shortly.
Anil Annaiah Camera Yoga nature art photography

Bespoke Nature Art Stills and Films for Corporates & Institutions

In a significant expansion, Anil Annaiah is offering bespoke, specially commissioned Nature Art Films and Photographic Images for corporates, institutions, and brands.

These curated visual installations such as 
Floating with Serenity and My Mirror are designed to: 
  • Enhance workplace well-being
  • Reduce stress and improve focus
  • Create immersive and calming environments
  • Align brand spaces with sustainability and mindful engagement
Delivered as video installations and digital visual experiences, these works transform physical spaces into zones of calm, reflection, and connection. You can watch some of these films here.
Anil Annaiah Camera Yoga nature art photography

About Anil Annaiah

Anil Annaiah is a filmmaker, photographer, artist, podcaster, and author of ten books. He is the founder of Annleela Films and Brand Radianz – Me The Changemaker, and the innovator of Camera Yoga™, a unique practice integrating nature, mindfulness, storytelling, and conservation. His work spans films, visual art, podcasts, and social impact storytelling, with a consistent focus on creating meaningful engagement through creativity.

Website www.CameraYoga.com

27 Jan 2026

apexart International Open Call 2026-27


apexart International Open Call 2026-27, Art Scene India
Opening of Skate, Create, Liberate: Women Artists and the Future of Radical Space in Ethiopia, an open call winning exhibition curated by Betelihem Zena, 2025

apexart INTL Open Call for group exhibitions

Accepting proposals: February 1 - March 1, 2026

apexart invites 500 word idea-based group exhibition proposals for 2026-27 INTL Open Call from February 1 - March 1, 2026. Five winning proposals will each receive a $10k exhibition budget to become apexart exhibitions in their respective locations around the world as part of their 2026-27 exhibition season. Curators, artists, writers, and creative individuals, regardless of experience level or location, are invited to submit a proposal online.

The submission process
Proposals should describe a focused, idea-driven, original group exhibition of 3 or more artists. No biographical info, CVs, links, or images will be accepted. Submissions cannot exceed 500 words and must be submitted in English. Jurors from 85 countries then jury the proposals based on their personal interest, cultural assessment, content and communication of the idea. See examples of winning proposals here.

The selection process
Rather than a typical 5-person panel to review hundreds of ideas, apexart’s crowd-sourced system involves hundreds of jurors from more than 85 countries, reviewing proposals at their own schedule over one month. The jury is composed of up to individuals from a wide variety of professional backgrounds and international locations including students from 20 participating university classes who will rate the proposals. Proposals are anonymous and randomized to ensure each submission receives equal consideration, resulting in more than 30,000 votes on over 600 proposals. apexart staff does not influence the results of the jury in any way.

The results
Each of the five winning proposals will receive an exhibition budget of $10,000; the exhibition brochure, printed and mailed to over six thousand international recipients; and to be a part of apexart’s 2026-2027 exhibition season. apexart provides full admin and logistics support, assisting curators to realize their original ideas into apexart exhibitions. Exhibition curators must work within the funding provided to transform their winning proposals into focused, noteworthy exhibitions. 

To submit an exhibition proposal, visit https://apexart.org/opencalls.php between February 1 and March 1, 2026.



To contribute articles, please get in touch at artsceneinfo@gmail.com

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8 Dec 2025

Art News: India Art Festival Bengaluru, December 2025

India Art Festival returns to Bengaluru with its 5th edition

Over 3,000 artworks, 20+ galleries and 300 artists under one roof

India Art Festival (IAF) is back in Bengaluru for its fifth edition from 12 to 14 December 2025 at the Crown Pavilions, Palace Ground, Gate No. 5.

India Art Festival 5th Edition, Bengaluru, 12-14th Dec, Palace Grounds; Art Scene India
Laxma Goud
The Bangalore art market is expanding rapidly in proportion to its population. Currently, its population is almost half of that of Mumbai and Delhi. Rajendra Patil, Director of India Art Festival elaborates, “the city has a large, diverse, and growing community that enjoys art, right from young professionals, families, and art buyers all of whom actively visit art events. In fact, people come to the art festival not just to see art but also to find artworks that make their homes feel more inspiring. Bengaluru also has museums, cultural spaces, historical landmarks, and many corporates that support creative activities. All of this makes the city a strong place for artists to present their work and for the festival to reach new audiences.”

Rajendra recollects that when India Art Festival began in Mumbai, there was no art fair in the city. “Similarly, when we started the festival in Bangalore five years ago, there was no platform where galleries and artists could come together with the city’s art lovers. Clearly, there was a real need for such a space and we are happy to be back in Bengaluru.” 

As part of the India Art Festival, for three days, the city will host a vibrant showcase of contemporary Indian art, bringing together over 20 galleries and 300 artists from 25 cities across India.

This year’s edition will feature a wide range of artworks across mediums – including paintings, sculptures, photographs, ceramics, installations, traditional art forms and more – making it a must-visit for both seasoned collectors and first-time buyers.

It is to be noted that the art market and the profile of art buyers in India have changed a lot in the past decade. Earlier, it was mainly large corporates who bought art, but now individuals are buying more art for their homes and offices.

India Art Festival 5th Edition, Bengaluru, 12-14th Dec, Palace Grounds; Art Scene India
Yusuf Arakkal

According to Rajendra, “There’s also a big shift from the real-estate and interior design end. Developers and interior designers are constantly looking for good artworks that are not necessarily expensive - pieces that are original, appealing, and fit well into modern living spaces. Another noticeable change is that many new bankers, tech professionals, and young homeowners are buying art too. They may not think of themselves as “collectors” because they usually buy only a few pieces. They buy art simply because they like it, not because they’re thinking about investment. 

In all major cities, this group of spur-of-the-moment, first-time art buyers has increased in huge numbers. And events like India Art Festival play a key role in expanding this circle of art patrons. By bringing galleries, artists, and the public together under one roof, the festival makes art more accessible and encourages many new people to start buying and appreciating art.”

India Art Festival 5th Edition, Bengaluru, 12-14th Dec, Palace Grounds; Art Scene India
Ramesh Gorjala
IAF, 12 - 14 December 2025, Bengaluru

More than 3,000 artworks will be on display, ranging from oil, acrylic and watercolour works to mixed media, installations and regional art traditions. The festival aims to make art accessible and enjoyable for everyone – whether you’re an art connoisseur, a young collector, or simply curious about the world of art. India Art Festival has always focused on creating a balance between emerging talent and established masters. This year too, young and independent artists will show their works alongside eminent names in Indian art, offering visitors a rich and diverse view of today’s contemporary art scene.

Special Curated Exhibition: Brushstrokes of Karnataka

One of the major highlights of this year’s festival is the specially curated exhibition ‘Brushstrokes of Karnataka’, led by Prof. K.S. Appajaiah. This showcase brings together the works of more than 30 renowned artists from Bengaluru and across Karnataka, celebrating the state’s breathtaking landscapes and rich heritage. From the historic ruins of Hampi and Badami to the lush Western Ghats and diverse regional terrains, the exhibition captures the true spirit and beauty of Karnataka.

The Artists Showcasing in Brush Strokes of Karnataka include ‘Kantharaj N, Dundappa S Lolasoori, Shrisail Shrimant Kamate, Lingaraju M S, Prahallad K V Acharya, Chetan C S, Manjunath Wali, Syed Asif Ali, Makali K K, VRC Shekhar, Babu Jattakar, Sathish Biradar, Bheemrao K Badiger, Lokesh R, K S Kamatagoudar, Madivalappa S Langoti, Mallappa Halli, Gangadhar Bandanavar, Shirish Deshpande, Shweta, Hemavathi Sadashiv, D Pavan Kumar, Siddanna S Maragol, Roopesh Nanaiah

It stands as a heartfelt tribute to the land—its scenery, its cultural legacy, and its iconic temple architecture.

India Art Festival 5th Edition, Bengaluru, 12-14th Dec, Palace Grounds; Art Scene India
Rajeev Rai

Artists’ Pavilion: Young talent meets masters

India Art Festival 5th Edition, Bengaluru, 12-14th Dec, Palace Grounds; Art Scene India
The Artists’ Pavilion will feature more than 200 independent artists, exhibiting alongside around 100 established artists represented by galleries. Promising young artists such as Monica Ghule, Yuvraj Patil, Dev Mehta, Rajeev Rai, Sandeep Ghule, Anil Vergese, Anjali Prabhakar, Kalpana Soni and many others will be presenting their works. Their art will be shown alongside works by renowned masters including Yusuf Arakkal, Krishen Khanna, Manu Parekh, Ramesh Gorjala, T. Vaikuntam, Akbar Padamsee, Laxman Aelay, Seema Kohli and several others, offering visitors a rare chance to see multiple generations of Indian artists in one space.

 

Participating Galleries

From Bengaluru

  • Sara Arakkal Galerie, ReIGNITE EDTECH PVT LTD, Gallery Charvi

From Mumbai

  • House of Emerge, Studio3 Gallery, Studio Monica Ghule, Dev Mehta Art Gallery, Nitya Artists Centre, Curators.art and Chitraksh Art

From New Delhi & NCR

  • Gallery Pioneer, Uchaan, Artecious World Art Gallery, Aura Planet, Eminent Art Gallery, Shree Yash Art Gallery and Galerie Art Eterne

From Other Cities & Overseas

  • Gnani Arts, Singapore, Artsbreeze Art Gallery, Hyderabad, Pichwaiwala Narendra Art, Udaipur and M Narayan Studio, Pune

Event Details

  • Dates: 12–14 December 2025
  • Venue: Crown Pavilions, Palace Grounds, Gate No. 5, Bellary Road, Near Mekhri Circle, Bengaluru
  • Timings: 11:00 AM – 8:00 PM
  • Tickets: ₹199 season pass (valid all three days), available via BookMyShow and at the venue

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3 Nov 2025

Art News: Flux/Resonance at Visual Arts Gallery, Nov 7-11, 2025

Flux/Resonance

Curated by Nalini S Malaviya

Flux/Resonance at Visual Arts Gallery, Nov 7-11, 2025
Sonali Bose Chasm I

The exhibition Flux/Resonance brings together ten contemporary artists—Biswa Basu, Kantha Reddy, Malay Saha, Naba Kumar Chakraborty, Nandesha Shantiprakash, Partho Chatterjee, Rathin Kanji, Shridhar Iyer, Sonali Bose, and Yusuf—whose works respond to the currency of our times through a conceptual lens. Curated by Nalini S Malaviya, the show interrogates the cyclical nature of decay and renewal, offering a visual and philosophical inquiry into the elements that shape our urban and emotional landscapes.

Malaviya frames the exhibition around the paradox of collapse and regeneration. “The narrative of decay is a complex process involving degeneration and collapse, while simultaneously establishing the framework for the rejuvenation and re-emergence of newer constructs,” she writes in the curatorial note. The artists delve into this dynamic interplay—flux and resonance—as a metaphor for existence, exploring transformation, incoherence, and the tensions embedded in the built environment.
                                                     
The exhibition navigates the metamorphosis of urban life, probing the interconnectedness between human experience and the cityscape. Themes of technological proliferation, media saturation, and consumerist culture emerge as critical touchpoints, where each artist brings a distinct voice to this collective interrogation.
Flux/Resonance at Visual Arts Gallery, Nov 7-11, 2025
Rathin Kanji, Seize the night
Biswa Basu deploys abstraction to depict societal disorder, chaos and emotional fragmentation. S. Kantha Reddy fuses mythology, nature, and temporal abstraction in sculptural forms drawn from everyday encounters, while establishing linkages to the past. Malay Saha examines spatial relationships and tensions between objects and human presence in urban settings.

Naba Kumar Chakraborty critiques the proliferative nature of technology and its role in influencing instant gratification. Nandesha Shanti Prakash reflects on the evolving relationship between selfhood and social purpose in contemporary life, and the oscillating nature of life and traits such as resilience. Partho Chatterjee explores chromatic and geometric dialogues between humans and their urban habitats, and the effect of design on these associations.

Rathin Kanji confronts the contradictions of progress—juxtaposing innovation with ecological and cultural decline. Shridhar Iyer captures the cosmic and terrestrial dualities through chaotic yet interconnected visual narratives. Sonali Bose exposes the paradox of digital intimacy versus emotional isolation in her mixed media works. Yusuf offers minimal, metaphor-rich compositions that evoke the psychological terrain of human emotion.

Flux/Resonance offers a space to contemplate on impermanence, contradiction, and the layered complexity of contemporary existence. Through varied visual vocabularies, the artists articulate the chaos and lucidity that define our lived realities, inviting viewers to engage with the subtle interludes of resonance that punctuate the flux of life.


Flux/Resonance featuring paintings, mixed media and sculptural works will be held from November 7-11, at Visual Arts Gallery at the India Habitat Centre, New Delhi.



For info contact: +91 9434592326 / 9831182657


9 Sept 2025

Art News: Whispers Between Worlds

Whispers Between Worlds: iArt Gallery’s New Exhibition Invites Viewers into the Subtle 


This September, iArt Gallery in Bengaluru presents Whispers Between Worlds (September 12 – October 13, 2025), a month-long group exhibition that gently turns our attention away from the rush of the everyday and towards the subtle spaces that often go unnoticed. 
Whispers Between Worlds: iArt Gallery’s new exhibition features artworks by artists Narayan Lakshman, Anjali Rajkumar, and Mohit Naik from Sep 12, Art Scene India
Narayan Lakshman
Showcasing the evocative practices of Narayan Lakshman, Anjali Rajkumar, and Mohit Naik, the exhibition explores the unseen, the in-between, and the almost forgotten. In a cultural moment increasingly defined by urgency, rupture, and excess, Whispers Between Worlds asks viewers to slow down. It offers a space where art does not demand but instead invites; where works do not declare, but whisper. 

Located in the heart of Bengaluru on Lavelle Road, iArt is committed to fostering meaningful artistic engagement. Since its inception, iArt has championed Indian contemporary artists whose works are alive with their storytelling, rich textures and innovative techniques.

Whispers Between Worlds: iArt Gallery’s new exhibition features artworks by artists Narayan Lakshman, Anjali Rajkumar, and Mohit Naik from Sep 12, Art Scene India
Anjali Rajkumar
The current exhibition is conceived as a threshold — a porous, liminal space where memory and material, body and landscape, tradition and transition intersect. Each of the participating artists approaches this idea through their own visual language. 

Narayan Lakshman’s fragile material interventions explore the persistence of memory and the quiet erosion of time. Anjali Rajkumar layers form and texture in ways that evoke ancestral rhythms while speaking to identities that shift and adapt. Mohit Naik uses meditative gestures to construct local landscapes of reflection, asking viewers to consider the everyday as a site of transformation. 
Though their practices are distinct, the three are united in their attentiveness — to the subtle, to the in-between, to the things that resist easy articulation. What gives the exhibition its particular resonance is the way it lingers in the spaces between certainty and ambiguity. Instead of offering answers, the works create atmospheres — moments where viewers are invited to dwell in stillness, to sense rather than to solve. 

Whispers Between Worlds: iArt Gallery’s new exhibition features artworks by artists Narayan Lakshman, Anjali Rajkumar, and Mohit Naik from Sep 12, Art Scene India
Mohit Naik
The show positions itself not as a resolution but as an unfolding, a reminder that some experiences exist only in the realm of suggestion and echo. 

Exhibition Dates: September 12 – October 13, 2025 
Venue: iArt Gallery, Lavelle Road, Bengaluru 
Artists: Narayan Lakshman | Anjali Rajkumar | Mohit Naik 


With Whispers Between Worlds, iArt Gallery offers its visitors not just an exhibition, but an invitation — to pause, to reflect, and to rediscover the power of the quiet. 

For more information Email: contact@iartgallery.in, Phone: +91 9900600473
Connect on https://www.instagram.com/iartgalleria/


12 Jul 2025

Mukesh Sharma’s Art Graces Rushdie’s Latest French Edition

Shalimar le clown book by Salman Rushdie, Art Scene India
Shalimar le clown book cover

Mukesh Sharma’s Art Graces Rushdie’s Latest French Edition

Delhi-based contemporary artist Mukesh Sharma is making headlines with his artwork which has been featured on the cover of the newly released French edition of Shalimar le clown - Salman Rushdie’s celebrated novel, which was first published in 2005.

Sharma reveals that author Rushdie and French publisher Antoine Gallimard came across the painting on his Instagram page. He elaborates, “Salman Rushdie took a liking to it and asked his publishing house to reach out to me.” After several conversations and review of many other paintings as well, their team felt this work was best suited for the cover of the novel.

Mukesh Sharma is a painter, printmaker, and installation artist from Alwar, Rajasthan. He holds an MFA degree in Printmaking from MS University in Baroda, and is known for expressing urban complexities, with imagery inspired by Rajasthani miniature paintings, frescos and block-printing of Sanganer. His work often explores the stresses between human and environmental relationships, while navigating intersecting concerns - the isolating effects of social media, the excessive use of technology and a capitalist culture.

Shalimar le clown book by Salman Rushdie, cover by Mukesh Sharma, Art Scene India
Mukesh Sharma

Sharma integrates ready-made materials, including e-waste such as parts of scrapped keyboards into his work to distill complex ideas into accessible visual narratives. His process forms a critique of consumerism while exploring technology’s influence on contemporary life, creating compelling narratives.

Revitalizing Memories, 2021, acrylic on canvas, which is now on the book cover, blends keyboard imagery with 'myth, memory, and identity'. Drawing from Indian miniatures and Panchatantra tales, it reflects on technology’s role and the blurred lines between control and manipulation. Sharma explains that, through this fusion, he critiques scenarios where the boundaries blur, and where it’s difficult to gauge and differentiate between the manipulator or the puppeteer and the puppet. 

The 2005 novel Shalimar le clown set in Kashmir and Los Angelos spans continents and explores themes of themes of love, revenge, and betrayal amidst political and cultural differences and unrest. A richly woven story of personal and political transformation, the chronicle navigates identity and ideology, while tracing lasting impacts of violence. 

Shalimar le clown continues to enthrall readers, and Sharma’s artwork on the cover of the French folio is bound to attract new audiences with its visual intrigue.

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To contribute articles, please get in touch at artsceneinfo@gmail.com

14 Jun 2025

Beyond the Reopening: Reviving Venkatappa Art Gallery

Venkatappa Art Gallery view, Art Scene India
Venkatappa Art Gallery view, Art Scene India

After months of anticipation and extensive renovation efforts by The Brigade Foundation, the Venkatappa Art Gallery reopened its doors. More than 200 artists and enthusiasts gathered for the ‘Gallery Pravesha’ on the morning of 13th Jun, a day after the official inauguration, which was boycotted by the artist fraternity.

Venkatappa Art Gallery view, Art Scene India
Rumale Chennabasaviah Exhibition

The renovated Venkatappa Art Gallery now has three exhibition spaces for artists, but only one was utilized for the inaugural display: a condensed yet well-presented exhibition on Rumale Chennabasaviah made possible by Sanjay Kabe. The absence of exhibitions in the other two galleries on the ground floor was in my opinion a missed opportunity—an inaugural showcase across all spaces would have added much to the event. 

Venkatappa Art Gallery view, Art Scene India
KK Hebbar Gallery
The second floor houses the K.K. Hebbar exhibition, unfortunately, non-functional lighting left a small section in partial darkness, and his publications were not on display, at least one could not spot them. A thoughtful reassessment of the design and display of this space would help in bringing a more coherent and engaged display and do justice to Hebbar’s legacy.

K. Venkatappa’s main gallery on the first floor, however, is well curated and presents his paintings, veenas, awards, and personal memorabilia all displayed in a manner that honours his multifaceted practice and interests. Yet here, too, flickering lights interrupted the experience—a recurring technical issue that needs resolution.

Having said that, all of these concerns are minor in comparison to what has been achieved during the restoration – from addressing leaky ceilings and walls, mold, and cracks, to structural repairs, well designed lighting and accessibility features with ramps and elevators, have made a huge difference. In addition, there is a 100-seat auditorium, a sculpture park, a cafe, and outdoor spaces which have been redesigned.

The overwhelming turnout from artists demonstrated the community’s commitment to supporting institutional spaces. Navigating the exhibits amid the crowds made it difficult to engage with the artworks in depth—and one would have to visit again to view the exhibitions in detail.

The Future

Looking ahead, several crucial aspects must be addressed. Clarity on how artists can book the gallery spaces, the fee structure, and programming guidelines must be communicated in a transparent manner. Furthermore, a dedicated team—comprising curators and art experts—should be established to steer the activities, ensuring thoughtful exhibitions, critical dialogue, and sustained engagement with the space.

Venkatappa Art Gallery with its unique location and its rich history has the potential to be a vibrant cultural hub, once again. With careful planning, artist-centered programming, and infrastructural refinements, it can evolve into an institution that not only preserves artistic legacies but also fosters contemporary conversations. The reopening was a significant milestone—now it’s time to ensure the momentum leads to meaningful change.


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To contribute articles, please get in touch at artsceneinfo@gmail.com
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