Showing posts with label Laxma Goud. Show all posts
Showing posts with label Laxma Goud. Show all posts

8 Dec 2025

Art News: India Art Festival Bengaluru, December 2025

India Art Festival returns to Bengaluru with its 5th edition

Over 3,000 artworks, 20+ galleries and 300 artists under one roof

India Art Festival (IAF) is back in Bengaluru for its fifth edition from 12 to 14 December 2025 at the Crown Pavilions, Palace Ground, Gate No. 5.

India Art Festival 5th Edition, Bengaluru, 12-14th Dec, Palace Grounds; Art Scene India
Laxma Goud
The Bangalore art market is expanding rapidly in proportion to its population. Currently, its population is almost half of that of Mumbai and Delhi. Rajendra Patil, Director of India Art Festival elaborates, “the city has a large, diverse, and growing community that enjoys art, right from young professionals, families, and art buyers all of whom actively visit art events. In fact, people come to the art festival not just to see art but also to find artworks that make their homes feel more inspiring. Bengaluru also has museums, cultural spaces, historical landmarks, and many corporates that support creative activities. All of this makes the city a strong place for artists to present their work and for the festival to reach new audiences.”

Rajendra recollects that when India Art Festival began in Mumbai, there was no art fair in the city. “Similarly, when we started the festival in Bangalore five years ago, there was no platform where galleries and artists could come together with the city’s art lovers. Clearly, there was a real need for such a space and we are happy to be back in Bengaluru.” 

As part of the India Art Festival, for three days, the city will host a vibrant showcase of contemporary Indian art, bringing together over 20 galleries and 300 artists from 25 cities across India.

This year’s edition will feature a wide range of artworks across mediums – including paintings, sculptures, photographs, ceramics, installations, traditional art forms and more – making it a must-visit for both seasoned collectors and first-time buyers.

It is to be noted that the art market and the profile of art buyers in India have changed a lot in the past decade. Earlier, it was mainly large corporates who bought art, but now individuals are buying more art for their homes and offices.

India Art Festival 5th Edition, Bengaluru, 12-14th Dec, Palace Grounds; Art Scene India
Yusuf Arakkal

According to Rajendra, “There’s also a big shift from the real-estate and interior design end. Developers and interior designers are constantly looking for good artworks that are not necessarily expensive - pieces that are original, appealing, and fit well into modern living spaces. Another noticeable change is that many new bankers, tech professionals, and young homeowners are buying art too. They may not think of themselves as “collectors” because they usually buy only a few pieces. They buy art simply because they like it, not because they’re thinking about investment. 

In all major cities, this group of spur-of-the-moment, first-time art buyers has increased in huge numbers. And events like India Art Festival play a key role in expanding this circle of art patrons. By bringing galleries, artists, and the public together under one roof, the festival makes art more accessible and encourages many new people to start buying and appreciating art.”

India Art Festival 5th Edition, Bengaluru, 12-14th Dec, Palace Grounds; Art Scene India
Ramesh Gorjala
IAF, 12 - 14 December 2025, Bengaluru

More than 3,000 artworks will be on display, ranging from oil, acrylic and watercolour works to mixed media, installations and regional art traditions. The festival aims to make art accessible and enjoyable for everyone – whether you’re an art connoisseur, a young collector, or simply curious about the world of art. India Art Festival has always focused on creating a balance between emerging talent and established masters. This year too, young and independent artists will show their works alongside eminent names in Indian art, offering visitors a rich and diverse view of today’s contemporary art scene.

Special Curated Exhibition: Brushstrokes of Karnataka

One of the major highlights of this year’s festival is the specially curated exhibition ‘Brushstrokes of Karnataka’, led by Prof. K.S. Appajaiah. This showcase brings together the works of more than 30 renowned artists from Bengaluru and across Karnataka, celebrating the state’s breathtaking landscapes and rich heritage. From the historic ruins of Hampi and Badami to the lush Western Ghats and diverse regional terrains, the exhibition captures the true spirit and beauty of Karnataka.

The Artists Showcasing in Brush Strokes of Karnataka include ‘Kantharaj N, Dundappa S Lolasoori, Shrisail Shrimant Kamate, Lingaraju M S, Prahallad K V Acharya, Chetan C S, Manjunath Wali, Syed Asif Ali, Makali K K, VRC Shekhar, Babu Jattakar, Sathish Biradar, Bheemrao K Badiger, Lokesh R, K S Kamatagoudar, Madivalappa S Langoti, Mallappa Halli, Gangadhar Bandanavar, Shirish Deshpande, Shweta, Hemavathi Sadashiv, D Pavan Kumar, Siddanna S Maragol, Roopesh Nanaiah

It stands as a heartfelt tribute to the land—its scenery, its cultural legacy, and its iconic temple architecture.

India Art Festival 5th Edition, Bengaluru, 12-14th Dec, Palace Grounds; Art Scene India
Rajeev Rai

Artists’ Pavilion: Young talent meets masters

India Art Festival 5th Edition, Bengaluru, 12-14th Dec, Palace Grounds; Art Scene India
The Artists’ Pavilion will feature more than 200 independent artists, exhibiting alongside around 100 established artists represented by galleries. Promising young artists such as Monica Ghule, Yuvraj Patil, Dev Mehta, Rajeev Rai, Sandeep Ghule, Anil Vergese, Anjali Prabhakar, Kalpana Soni and many others will be presenting their works. Their art will be shown alongside works by renowned masters including Yusuf Arakkal, Krishen Khanna, Manu Parekh, Ramesh Gorjala, T. Vaikuntam, Akbar Padamsee, Laxman Aelay, Seema Kohli and several others, offering visitors a rare chance to see multiple generations of Indian artists in one space.

 

Participating Galleries

From Bengaluru

  • Sara Arakkal Galerie, ReIGNITE EDTECH PVT LTD, Gallery Charvi

From Mumbai

  • House of Emerge, Studio3 Gallery, Studio Monica Ghule, Dev Mehta Art Gallery, Nitya Artists Centre, Curators.art and Chitraksh Art

From New Delhi & NCR

  • Gallery Pioneer, Uchaan, Artecious World Art Gallery, Aura Planet, Eminent Art Gallery, Shree Yash Art Gallery and Galerie Art Eterne

From Other Cities & Overseas

  • Gnani Arts, Singapore, Artsbreeze Art Gallery, Hyderabad, Pichwaiwala Narendra Art, Udaipur and M Narayan Studio, Pune

Event Details

  • Dates: 12–14 December 2025
  • Venue: Crown Pavilions, Palace Grounds, Gate No. 5, Bellary Road, Near Mekhri Circle, Bengaluru
  • Timings: 11:00 AM – 8:00 PM
  • Tickets: ₹199 season pass (valid all three days), available via BookMyShow and at the venue

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21 Jun 2016

Art News: Art Scene India Recommends

Art Scene India Recommends: 

Here's a round up of art exhibitions and events for you to visit - most of these are in Bangalore. Do visit them and let me know your views. Which ones resonated with you? Drop me a line here. I look forward to hearing from you.

Bengaluru 

June 21, 2016, Today
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June 26, 2016, Sunday

Galerie Sara Arakkal presents Yusuf Arakkal's "FACES OF CREATIVITY", an exhibition of 135 Indian artists portrait with a Book launch.
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Gallery Sumukha marks its 20th year since 1996 and celebrates with the opening of 'An Inner Retrospective'
Solo by K. Laxma Goud, with curatorial inputs from Marta Jakimowicz

‘The Limited Edition’ is an exhibition which pays homage to the art of printmaking. The exhibition consists of prints produced during a two week long printmaking workshop organized within the gallery space. The workshop brought together important pedagogies of Indian printmaking. Artists from Santiniketan, Baroda, Kheragarh, Hyderabad, Chennai, Bangalore and Mysore were part of the atelier.

 

Chennai

24 Sept 2013

Book Review: Between the Lines: Identity, Place, and Power

The publication accompanying the exhibition of selections from the Waswo X. Waswo‘s collection of Indian printmaking traces the growth of Indian art in a sociological and historical context. The scale of the exhibition and its significance in mapping the evolution of printmaking from 1916 onwards makes this publication much more than a catalogue. And, as Jyoti Bhatt has aptly pointed out in the introduction that a book has a much larger reach as compared to an exhibition which becomes limited by time and geography, this publication becomes an important documentation effort.  

In this survey of Indian print making, art historian and curator Lina Vincent Sunish explores notions of identity, place and power that shape artistic creation.  The exhibition of prints (from Waswo’s collection) held at NGMA earlier in the year, represented 79 Indian artists from diverse geographical regions and featured woodcuts, etchings, lithographs and screenprints spanning an almost 100 year period from 1916 to the present. “The thematic distribution of works according to the interconnected concepts of identity, place and power originates from the desire to take advantage of the time span the collection represents, and the Indian histories that directly and indirectly played a part in the creation of the works.”

During this phase, the transformations in the Indian landscape have been enormous and the collection attempts to ‘generate connections of thought between artists disparate in time and space, and make them visible to a viewer in the context of an exhibition’ while rejecting chronology.  The emphasis is on exploring imagery and meaning in the printmaking practice of various artists.

The works by some of the finest printmakers are a part of Waswo’s collection and are therefore featured in the book.  One cannot help but recall the exhibition and appreciate the effort behind it.  From senior artists such as Mukul Dey, Haren Das, Nandalal Bose, Jogen Chowdhury, KG Subramanyan, Laxma Goud, Krishna Reddy, Somnath Hore, Anupam Sud, Bhupen Khakhar and Chittaprosad Bhattacharya to works by the new generation of Indian printmakers like Maripelly Praveen Goud, Kurma Nadham and Jagadeesh Tammineni, the vast collection presents a remarkable selection of prints across time, location and artistic sensibilities.
 

The afterword by Waswo is a fascinating account of his collecting journey detailing his passion for artworks on paper; a modest beginning which soon grew into an extensive and noteworthy collection.

One of the highlights of this book is definitely its readability factor and this book is as much for the lay person curious about Indian printmaking as for the art connoisseur. In a sense, a large format coffee table book would have perhaps done more justice to this publication.


Between the Lines: Identity, Place, and Power can be purchased here

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