1 Dec 2014

Tips: Exhibiting Art in Non-Gallery Spaces

What you should know before exhibiting your artwork in alternative spaces, such as hotels, restaurants, coffee shops, boutiques and even malls.


In a weak economy, it helps to be creative and look for alternative sources of income. For an artist it could mean exploring online options for selling art and it could also involve looking for unconventional venues and non-gallery spaces for exhibiting art. In this context, let’s consider the factors involved in exhibiting your artworks in spaces, such as hotels, restaurants, coffee shops, boutiques and even malls.
Exhibiting Art in Non-Gallery Spacessuch as hotels, restaurants, coffee shops, boutiques and even malls, Art Scene India
In India, there have been a lot of changes in the art scene and people are adopting creative approaches to tap newer markets and clientele. Many shows are organized by art dealers and promoters in alternate venues. When a show is organized by a professional, it becomes easier for artists to navigate terms and conditions and ensure that all their concerns are addressed.

On the other hand, if as an artist, you are approached directly to put up a few artworks in a commercial space, you need to ensure that you get a fair deal. Working outside a gallery can be a complicated process with several unknown elements and it helps to have a clear picture of what it encompasses. Knowing that art can be a huge draw for their clients, there are an increasing number of commercial venues who are exploring tie ups with artists and galleries. Having an art show or just having art on the walls does make it a culturally enhanced space, so yes; they need you as much as you need them.

There are benefits in exhibiting in a non-gallery space if you can take care of a few factors. One of the first things that you should do is to make sure that exhibiting in such a venue is not conflicting with the policies of any of the galleries that you are associated with.

Exposure and Visibility


A huge advantage in exhibiting in a non-gallery space is that the audience is very different from the regular crowd which visits art galleries. So, in terms of exposure and visibility it is a great idea to explore alternative venues, especially if you have artworks to spare. There is a chance that you may not sell your artworks, as people who walk in for meals or coffee are often unlikely to buy art on a whim. More so, if this is a place which is not a regular on the art and culture scene! Having said that, remember that such venues are growing in number which means that the audience is becoming more aware and conditioned to the idea of buying art.

Here are a few things to know when finalizing the place. Make sure it is a space which has sufficient footfalls and the ambience is interesting. Discuss with the management to ensure that the display is good and your artwork is not being used simply for the purposes of interior decoration.

If it is going to be an exhibition for a short time, then it makes sense to ensure there is enough publicity for the event and there are invites, write-ups and print material to give out more information about you - contact details and your profile. Remember, people who are buying your art would like to know more about you.

It helps to have multiple events to coincide with your show. You could and should insist on having a preview, in addition to other events which could be related to food, music or artist interactions. These are all beneficial and help to get people to come and attend these functions and hopefully also buy.

It’s important that the artworks appear to be on sale and not part of the interior décor, because unless clearly stated even if a visitor likes the painting, he is not going to inquire about it if it looks like the painting is part of the décor. Carefully work out the sizes and costs of the artworks to make them attractive to clients.

Confirm


Costs: Framing and printing of the invites, cards and leaflets. Are there any other costs? If there is a preview who is bearing the cost.

Duration: How long will the artworks be on display – short term (less than one month) or is it for a longer (more than six months) time frame. In case it is for a longer time, you may want to rotate/replace the paintings every couple of months.

Commission: How much is the hotel going to charge you for the sale of each artwork? The percentage is usually significantly lower than what an art gallery would normally charge.

Exposure: Find out if they plan to advertise, send out newsletters to their clients or if they will hire a PR Agency to do the media publicity.

Display: Where are the artworks displayed? Is it in some corner where no one will see it, or is it in a high visibility area where there are a lot of visitors? Give your inputs to ensure a good display. Make sure the lighting is appropriate and highlights your work.

Insurance: Who is responsible for loss or damage to the artwork – what about insurance costs?

Work out the logistics of delivering the artworks – packaging and shipping and discuss the payment options in advance.

I hope this helps you when next time you are approached by a commercial venue to have an exhibition.

If you have exhibited in a hotel, café or a mall, tell us about your experience, Also, if you have any suggestions, please share with us.

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25 Nov 2014

Blogerversary: Art Scene India Completes 8 Years

8 Years of my Online Avatar


Blogging for the last eight years has been one of the best decisions of my life. Even though it started out as a random extension of my work in 2006, the blog has organically grown into a niche site on art.

You may remember, in the initial phase, I was essentially sharing most of my print articles in order to reach out to a larger audience on the web. Starting with a basic template on blogger, May to November 2006 was all about figuring out how to upload content and tweaking the template according to my requirements. I remember I had to depend on my husband (an IIT alumni, no less!) to make most of those changes which involved programming skills.

A few years down the line, when I migrated to another template, I was more confident about making the switch on my own, ensuring that all backups were taken care of. The last thing you want is for all the data to disappear during the transition!
Art Scene India 8th Anniversary collage
Indian Art (2006) to Art Scene India (2014)
And, then finally about a year ago, I opted to move to a sleek, uncluttered look with a white background. I was even able to customize the template to a large extent. I opened up the site to advertisers and for the very first time I talked about my blogging journey and the challenging times that I went through. If you haven’t read it, you can take a look here.

Coming back to this story, so, even though Art Scene India may not be perfect, it is a website that is unique and tries to conform to highest standards of online publishing. Remember, today blogging is not just about creating great content but involves so much more - keywords, SEO, image titles and alt tags, social media and the works. For a non-technical person with zero programming skills it can often be a challenge, as I have often discovered. Fortunately, I have a great community of readers, YOU, who have been amazingly supportive throughout!

Most Read/Favourite Posts


This November, on the blog’s 8th anniversary, it is time to reflect, take stock and plan ahead!
Just to let you know, the first post ever published on this blog was on 2nd November, 2006. It was an article written on Atul Dodiya for Times of India. I talked to Atul close to 2 hours and had recorded the entire conversation – he was a delight to talk to, especially once he opened up. He shared details about his life, his journey and his family – a wonderful conversation, how I wish I had saved the audio!

Raja Ravi Verma’s Lady in Moonlight NGMA BangaloreA writeup on NGMA, Bangalore has been one of the most visited articles on my website. It was linked from Wikipedia as I found out accidentally, but then I later discovered that it (the link) was deleted.

Another post, a really short one on Mandana Art is a close second on the list of most visited articles on Art Scene India. It definitely needs to be updated because the information is so sketchy that I am sure the readers’ visiting the page must be disappointed. If you know any artist belonging to the Meena community, do let me know. Top 10 Posts of 2013: Time to Wrap Up and More is also one of the most read posts.

Here are a few of my favourite posts and which I wrote exclusively for you. I would love to have you revisit them 10 Tips For Buying Art, 6 Tips on How to Approach an Art Gallery and Find Gallery Representation, How To Write An Artist Statement and How to Create an Online Presence. All of these have been quite popular with readers. Incidentally, most of these topics have evolved into lectures for art students and workshops for practicing artists!

It's All About You


As I look back at the last eight years, I realize it has been a long time and even though there were moments when things were difficult and I was not able to post much, I am happy to be here. With you.

I’m sharing a part of what Jaideep Sen, art writer & amateur artist, sent me by email, “Nalini Malaviya's blog, Art Scene India, has for many years been the definitive archive and resource for art-show attenders & enthusiasts in Bangalore. As an art writer, I have incessantly referenced and borrowed material and info from her blog, Art Scene India... I'm indebted, to say the least, and continue to seek inspiration in her commitment to the arts in Bangalore." Thank you, Jaideep for your generous words!

Lot more is planned and on the anvil. You have to come back and check it out for yourself. And, thank you for being part of this amazing journey.

Finally, a huge thank you to the advertisers and sponsors who have supported Art Scene India!
You may also want to take a look at the updated 'About' and 'Advertise' pages.

I would love to know which have been your favourite posts? What changes do you want to see on this website? What is it that you want to read? Drop a comment here or send me a mail. You know I want to hear from you!

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20 Nov 2014

Art News: ‘ABHISARAN’ Convergence of Artists at Heritage Site

A dialogue in contemporary and performing arts across borders for a new age India at Vijayanagara, Karnataka


A Convergence of 5 Countries, 10 Artists at a World Heritage Site

This November, ten talented artists from across the Indian subcontinent have converged at Vijayanagar Karnataka for ‘Abhisaran’, a 3-week long residency programme hosted by the JSW Foundation to create art that recognises the reality of today and the beauty of a time gone by.
Art News: ‘ABHISARAN’ Convergence of Artists at Heritage Site, Art Scene India
Abhisaran literally translates to ‘convergence’, a residency programme which acts as a focal point where artists, from similar political and cultural history of the Indian sub-continent, interact and create art works inspired by the historicity of Hampi and Vijayanagar. Amit Jain, Curator of the project adds, “Abhisaran is a dialogue in contemporary and performing arts across borders for a new age India.” The Heritage Site of Hampi, the industrial town of Vijayanagar and the arts, crafts and performance practices of Hampi are serving as an inspiration ground for these artists.

Drawing from Richard Sennett’s idea of a ‘craftsman’ being a skilled labour who engages with the questions of ‘how’ (Animal Laborans) and ‘why’ (Homo Faber) in the making of a craft (or art), this workshop hopes to empower the artists with raw material that is age old yet functional questioning both the purpose of their production and its effect on various communities. It provides an opportunity where artists can use their imagination and experience to create art works with medium of their choosing.
Art News: ‘ABHISARAN’ Convergence of Artists at Heritage Site, Art Scene India
The artists are using site-specific material like metal scrap, local pottery, local crafts and material to create works with a variety of mediums that include sculptural installations, dance, video and sound.

The artists taking part in Abhisaran are Baptist Coelho (India), Chinthaka Thenuwara (Sri Lanka), Mahbubur Rahman (Bangladesh), Mrugen Rathod (India), Muzummil Ruheel (Pakistan), Pala Pothupitiya (Sri Lanka), Preksha Tater (India), Seema Nusrat (Pakistan), Sanjeev Mahajan (Nepal) and Sheelasha Rajbhandhari (Nepal).

The residency will end on November 30, 2014.

18 Nov 2014

Art in Interiors: Painting a Wall

An entire wall painted with a mural can be the highlight of any décor scheme 

The impact of a single large artwork in interiors is well recognized as it can dominate any space and set the tone for the entire décor. There are two ways to go about it - one can either display a very large painting on a wall to cover it completely and make it a centerpiece. Or, one can treat the wall as the canvas and paint it directly. The impact of a painted wall, essentially a mural is definitely more striking. It is therefore important to choose the right wall for this purpose, for instance, it should be prominently placed so that it can easily become the highlight of the décor scheme.
Art in Interiors, Mural by artist Bharati Sagar,  Image courtesy artist, Art Scene India
Once the wall is decided, it is essential to choose the theme and the artist with care to ensure best results. There are artists who specialize in doing murals and it would be a good idea to get in touch with one. The paint materials which are used for a mural have to be selected such that they can be sustained over the years, and the painting remains fresh and undamaged. The advantage in commissioning an artist is that the residents can participate actively in the concept, design and details of the artwork.

Art in Interiors, Mural by artist Bharati Sagar, Art Scene India, Times of India-The AddressAn uncluttered wall will display a mural to its advantage, however one could even have the wall behind the television painted with a mural as most of the seating is directed towards it. On the other hand, a mural on a wall directly in front of an entrance, such as a bedroom or a children’s room will work, as long as it is conspicuously placed. Once an entire wall is painted, it is important to not clutter it with more artworks, especially paintings.

The lighting of the mural also requires care so that every detail and nuance gets accentuated effectively. More than one spotlight may be necessary to cover the entire mural. Again, lights must be chosen so that they do not harm the colours of the painting.

This article was published in The Times of India-The Address recently. 
Image courtesy artist Bharati Sagar

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11 Nov 2014

Art News: Transitions by Shraddha Rathi

A Solo Exhibition of paintings 'Transitions' by Shraddha Rathi from 

15th to 18th November 14 at The Taj West End, Bangalore


Trained as a Bharatnatyam dancer and educated as an architect, Shraddha Rathi explores an entirely new medium of expression through painting, coalescing key influences from both these creative fields. Through rhythmic forms, colours and textures Shraddha mesmerises with her thought provoking and inspiring paintings that combine Indian traditional values and modern experiences. 
Painting from series 'Transitions' by Shraddha Rathi, Bangalore, Art Scene India
"Every painting has a story to tell…. Painting to me is a language through which I express my thoughts. The three dimensions that I constantly build on, in my works are space, texture and expression. Time and my journey within, shape my thoughts which get reflected in my works. Developed over a period of time the current exhibition is a combination of three sets of works.

Shadows - My affinity to architecture resulted in the series of paintings called Shadows. I worked on themes that lend themselves to perspective and space. It is an attempt to capture the beautifully crafted and carved stonework in our historical past. I love the subject for its sheer contrast, the moment I add shadows the image starts coming alive to me. I have used visible brush strokes, unusual visual angles and light in its changing qualities in a monochromatic colour scheme.

A journey within - These set of works focus on my thoughts and ideas of Indian culture and teachings of Buddha. ‘What we think we become’, depicting Buddha in white, a colour that encompasses spirit of purity and evolution. The colourful images in this series, came forth as repetitive patterns, reflected themes from my subconscious mind, based on life and symbolic relationship between man and his thoughts. And how the ongoing process of thoughts designs our life.

Rhythm of colour - For an artist, the transition from narrative to abstract is a leap of faith…. Change is inevitable. From form to formless and monochrome to colourful. Yet another effort to convey myself, this time through basic design. I have used Line as an element in all its variations. Free flowing forms that overlap and merge into each other in many intricate sections. These works have an essence of movement in them. They refer to urbanscapes, rhythmic patterns, or may be, threads on a grid to be woven into fabric ……and allow the viewer to explore the works from a very personal perspective." Shraddha Rathi.
Exhibition 'Transitions' by Shraddha Rathi, Bangalore, Art Scene India
The exhibition is on view from 15th-18th November at The Taj West End, Bangalore

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