Art Scene India

10 Jun 2025

Art News: Venkatappa Art Gallery: Renovation

Venkatappa Art Gallery: Renovation

Rendered drawing only for representation

Established in 1975, the Venkatappa Art Gallery in Bengaluru has hosted generations of artists, fostering creativity and dialogue. However, years of neglect left the institution in dire need of restoration. The renovation was undertaken as part of a Corporate Social Responsibility (CSR) initiative and aimed to modernize the gallery while preserving its historical essence. According to a Bangalore Mirror report, the project was completed at a cost exceeding Rs 8 crore with plans for five exhibition galleries, a permanent collection space, and enhanced infrastructure, including a dedicated artists’ room. The purpose of the restoration was to breathe new life into the venue, and ensure it remains a vital hub for cultural activities.

Despite the excitement surrounding the gallery’s reopening on June 12, controversy has emerged over the alleged ‘exclusion of the local art community’ from the event. While government officials and corporate representatives are expected to attend, many artists—who have long advocated for the gallery’s preservation—have reportedly been left out of the celebrations.

This exclusion has sparked discontent among Bengaluru’s artistic circles as evident through a number of social media posts. It must be pointed out that the gallery’s revival was largely driven by years of lobbying from several artists, who were diligent about keeping it from falling into private hands.

Future of Artistic Spaces

In general, it is important to include artists at every stage to ensure their involvement in shaping cultural institutions, and to avoid a precedent for a ‘top-down management of artistic spaces’, which could reduce opportunities for grassroots engagement.

Artists and cultural advocates are now calling for greater transparency and inclusivity in the gallery’s future programming. While the renovation is a welcome development, its success will ultimately depend on how well it serves the artistic community it was built for.

As Bengaluru’s art scene continues to evolve, the Venkatappa Art Gallery stands at a crossroads—will it remain a true home for artists, or become a polished but detached institution? The answer lies in how its custodians respond to the voices of those who have long fought for its survival.

What are your thoughts and suggestions on this topic?

Note: the article was updated on Jun 11

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6 Jun 2025

Namma Hampi - A Symbol of Lasting Beauty

In the 14th and 15th centuries, Hampi, the former capital of the Vijayanagara Empire, was one of the most flourishing urban centers, with its architectural brilliance and vibrant economy. Even today it stands as a testament to the intersection of grandeur and destruction. Following the empire’s defeat in 1565, the city was left in ruins—a stark reminder of the fragile nature of power and prosperity.

‘Namma Hampi - The Epitome of Beauty’ by Lokesha R & Bhyrava B M, Art Scene India

This exhibition ‘Namma Hampi - The Epitome of Beauty’ by Lokesha R and Bhyrava B M seeks not only to celebrate Hampi’s artistic allure but to engage with its historical transformations, questioning the romanticized view of its remnants and reflecting on the forces that shaped its legacy.

The Virupaksha Temple, one of the few structures that survived the city’s downfall, remains an enduring religious landmark. Dedicated to Lord Shiva, it continues to serve as a place of worship, defying the destruction that enveloped Vijayanagara. The temple’s towering entrance gateway and finely carved details exemplify the refined artistry of the Dravidian style. Yet, its significance goes beyond aesthetics—it embodies perseverance amid adversity. Beneath its surface lie subterranean chambers, enveloped in mythology and mystery, with traditions linking them to the exile of Lord Rama and Sita.

Deep within Hampi’s architectural wonders stands the Vijay Vittala Temple, a structure that symbolizes the lost magnificence of the empire. At its core lies the famed Stone Chariot, an icon of sculptural artistry. Designed to resemble ceremonial temple chariots, it forms a visual contradiction between movement and permanence. The temple complex, dedicated to Vishnu, once echoed with melodies from its ingenious musical pillars—columns so precisely carved that they emitted harmonic sounds when struck.

Hemakuta Hill offers an architectural contrast, rising above the Virupaksha Temple with its understated shrines and mandapas. Unlike the towering grandeur of other Vijayanagara temples, Hemakuta’s shrines are modestly scaled, harmonizing with the rocky terrain. Their surfaces, adorned with delicate carvings of lotus motifs, entwining foliage, and serene depictions of deities, reflect the spiritual essence of the era without excess. This exhibition, expressed through watercolor and textured techniques, does not merely present Hampi as a visual spectacle—it interrogates its historical narratives. It compels viewers to reevaluate the ruins beyond their aesthetic appeal, examining the cultural, political, and economic shifts that define them.

The featured artists, Bhyrava B M and Lokesha R, bring their distinctive perspectives to this exploration. Bhyrava, based in Mysore, captures the nuanced interplay between realism and emotion through his delicate yet intricate watercolors. Lokesha, with roots in Tumkur, approaches art as an evolving conversation, engaging in experimentation across mediums, with printmaking at its core. His work bridges artistic tradition with contemporary discourse, fostering engagement between creator and observer. Hampi’s stones embody both triumph and loss, and this collection does not merely admire them—it listens. It encourages viewers to reconsider what has been preserved, what has faded, and what echoes remain embedded in its legacy. Through each brushstroke, Hampi’s story is reinterpreted—not as a static monument but as a fluid, evolving testament to time.

The exhibition continues till Jun 8 at Karnataka Chiitrakala Parishath

References

- Catalogue text
- Fritz, J., & Michell, G. (2003). Hampi: A Travel Guide
- Raja, T. (2016). Dravidian Architecture and Vijayanagara Temples
- Thapar, R. (2012). Early India: From the Origins to AD 1300
- UNESCO. (2023). Hampi: A World Heritage Site

16 Dec 2024

Art News: India Art Festival Bengaluru, December 2024

India Art Festival Bengaluru, December 2024: A Grand Celebration of Art and Culture

Bengaluru: The much-awaited India Art Festival (IAF) is set to return to Bengaluru for its fourth edition, enthralling art lovers from December 19 to 22, 2024, at the Palace Ground, Kings Court. This edition promises to be the most expansive and diverse yet, bringing together an unprecedented number of participants to celebrate art.

India Art Festival, IAF Bangalore 2024, Image for Art Scene India

Lalu Prasad Shaw

With over 30 galleries and contributions from 350 artists representing 30 cities across India, the art festival will showcase a wide array of artistic expressions, from paintings and sculptures to photography, ceramics, and installations. This year’s IAF highlights the vibrancy of India’s contemporary art scene, providing a platform to explore its latest trends and innovations.

A Feast for Art Enthusiasts

Opening on December 19, the art festival offers visitors a chance to immerse themselves in a rich tapestry of artistic diversity. Over 3,500 pieces of art, spanning oil paintings, acrylics, watercolours, installations, traditional art, and much more, will be displayed at the Kings Court, Palace Ground. The event aims to captivate both seasoned collectors and first-time buyers, ensuring a comprehensive art experience for all.

India Art Festival has consistently fostered a balance between supporting emerging talents and showcasing works by established artists, creating a unique platform for artistic expression. In this edition, young and independent artists will shine alongside eminent names, offering a fresh perspective on contemporary art.

Special Exhibitions and Events

Chandra Battacharya

A key highlight of this year’s India Art Festival is the curated exhibition, "Shaping Horizons: Karnataka’s Iconic Innovators," masterfully curated by Prof. K.S. Appajaiah. This remarkable showcase celebrates the pioneering works of 30 distinguished artists, including S.G. Vasudev, Gurudas Shenoy, M.S. Murthy, M.J. Kamalakshi, C. Chandrashekhar, J.S. Khanderao, V.G. Andani, Sudha Manohar, Hemavathi Umamaheswar, and others. Together, these luminaries have profoundly influenced and shaped Karnataka’s art landscape, leaving an indelible mark on the cultural fabric of the region. This exhibition is a tribute to their enduring legacy and a celebration of their visionary contributions to the world of art.

Laxman Aelay

IAF Creative Excellence Awards

The India Art Festival (IAF), a premier platform celebrating contemporary art and artists, proudly reintroduces its IAF Creative Excellence Awards in this edition. Established in 2011, these prestigious awards honor the creativity, innovation, and dedication of artists participating in the festival. Open to both independent artists and those represented by galleries, the awards recognize outstanding talent showcased across IAF editions in New Delhi, Mumbai, Bengaluru, and Hyderabad.

Each award includes a memento, a certificate of appreciation, and a cash prize of ₹50,000, presented to two selected artists. The winners are chosen by an independent jury comprising two esteemed figures from the art world. The awards will be ceremoniously presented during the opening ceremony of the India Art Festival on December 19, 2024, at 11:30 AM at Kings Court, Palace Grounds, Bengaluru. This initiative underscores IAF's commitment to nurturing artistic excellence and celebrating the diverse talents that enrich the contemporary art scene.

Fusion Shows

Amit Bhar

Every year, the India Art Festival offers an enchanting convergence of music and visual art, blending the universally beloved medium of sound with the evocative, often intricate language of visual expression to craft an immersive sensory experience. This year, the festival elevates its cultural repertoire with captivating fusion performances and live painting sessions featuring renowned artists P. Gnana, Manjegowda, and Eby N Joseph, accompanied by exceptional musicians Subramanya Hegade (Sitar), Prasanna Ballal (Mandolin), Shrinidhi Katti (Flute), and Sandeep M (Tabla).

These dynamic collaborations will transform the festival into a vibrant cultural hub, offering audiences a harmonious interplay of art and music on December 20, 21, and 22, from 3:30 PM to 5:00 PM. This unique synthesis promises to captivate art and music enthusiasts alike, enriching their festival experience with creativity and inspiration.

Film Screenings

The other highlight of the India Art Festival, Bengaluru, is the screening of the enlightening film, "The Eternal Canvas – 12,000 Years Journey through Indian Art." This cinematic masterpiece offers an immersive exploration of India’s rich artistic heritage, tracing its evolution from prehistoric cave paintings to the vibrant expressions of contemporary art.

Through captivating visuals and compelling narratives, the film provides a panoramic journey across millennia, celebrating the profound creativity and cultural legacy of Indian art. Visitors are invited to experience this visual odyssey on December 20, 21, and 22, with screenings scheduled from 5:30 PM to 7:00 PM each day.
This feature adds a dynamic dimension to the festival, offering an educational and inspiring experience for art enthusiasts and history lovers alike.

Praveen Kumar

Artistic Pavilion and Global Participation

This year’s Artists’ Pavilion will feature 300 independent artists presenting their works alongside 100 established artists represented by galleries. Participating galleries include Bengaluru-based Space Edge, Sara Arakkal Galerie, and Gallery Charvi, along with prominent names from Mumbai, Delhi NCR, and beyond, including international galleries like Gnani Arts (Singapore) and Artconcept (Dubai).

Participating Art Galleries:

Bengaluru : Space Edge, Sara Arakkal Galerie, Shiny Colors Art Gallery, ReIGNITE EDTECH PVT LTD, Akanksha Art Gallery, iArt Gallery, ASR Art Studio, Gallery Charvi

Mumbai: House of Emerge, Rhythm Art, Studio Monica Ghule, Studio Pankaj Bawdekar, Nitya Artists Centre, Bouquet of Art Gallery

New Delhi & NCR: Gallery Pioneer, Pastel Tale, OPS Art Gallery, Uchaan, Artecious World Art Gallery, Aura Planet, Artehut, Merakii Art House, Eminent Art Gallery,

Gnani Arts, Singapore, Artconcept, Dubai
Artsbreeze Art Gallery, Hyderabad, Pichwaiwala Narendra Art, Udaipur, Smita Art, Kolkata
M Narayan Studio from Pune.

Event Details

Dates: December 19 to 22, 2024
Venue: Kings Court, Palace Ground, Gate No. 5, Bellary Road, Near Mekhri Circle, Bengaluru
Timings: 11:00 AM to 8:00 PM
Tickets: Day Pass ₹299, & Season Pass ₹499 available on BookMyShow.com and at the venue

- Excerpt from press release

13 Sept 2024

Art News: MAP, Bengaluru Appoints Harish Vasudevan As Acting Director

Harish Vasudevan as Acting Director of MAP

Museum of Art & Photography (MAP) in Bengaluru, India announced the appointment of Harish Vasudevan as Acting Director on September 9th, 2024.

Reflecting on the continuing development of the museum from its roots as the first digital museum in India, and the successful opening of its building in Bengaluru in February 2023, the appointment is designed to prepare the organisation for further growth.

In over three decades of experience, Harish has held several leadership roles in multiple geographies, with companies like Ogilvy & Mather as well as IBM. He is also a published author and teacher. Over the last six months Harish has been consulting with MAP on Marketing and Operations.

Besides working with all the Heads of departments across Education, Collections,
Conservation, Inclusion, Marketing & Communications, Design and Development, Harish
will be further supported by Dr. Arnika Ahldag, Head of Curation and Exhibitions at MAP.

Commenting on the announcement, Abhishek Poddar, Founder and President of MAP said “As we looked at our plans for the future, we were looking for someone with the skills to develop the organisation, while also strengthening the brand. Harish has just the right combination of expertise and experience to build on the foundation that MAP has laid over the last few years.”

“The first time I entered MAP I fell in love with it. I am honoured to get a chance to lead this fabulous team as we get ready for Phase 2 of MAP’s impressive journey as India’s first new museum to open in a decade.”, says Harish Vasudevan — Acting Director, MAP.

- Excerpt from press release

5 Sept 2024

Art News: ‘Is Tarah Bhi’ by Amitabh Ashesh

Amitabh Ashesh unveils new conceptual foundations for painting in Bengaluru

‘Is Tarah Bhi’, a painting exhibition showcasing Amitabh Ashesh’s original work on ‘Yufism,’ will be on display at the Bangalore International Centre between 7-11 September.

An Alumnus of the IIT and Stanford University’s art department, Amitabh trained under contemporary stalwarts, including Frank Lobdell of the Bay Area Figurative Movement.

The Yufist compositional platform produces a new class of imagery where scenic, figurative and invisible elements share attributes. Windows become blocks of light, rain drops form a trail of ornamental beads and rippling sea waves are worn as a skirt.

In her curatorial note, Carmelita Brunetti writes, "Amitabh Ashesh, an Indian painter, stands out in contemporary art by introducing a sophisticated visual and ideational language. His exploration of forms reflects a profound contemplation of fundamental principles, skillfully navigating between phytomorphic and mechanomorphic elements. This duality between nature and technology finds harmonious synthesis in his works, imbued with a quality that can be described as 'yufism'."

Amitabh explains, "Yufism pilots distinctive compositional principles and constructs into painting. They provide an underpinning for aesthetics and subject themes to ride."

Regarding his thematic compositions, he elaborates, ‘In accompanying my wife, I have often found subjects. My own love for swimming, tennis, the garden and friendships across countries are another source.

Each painting is complemented with a titular poem, nucleating its meanings and letting viewers engage parallely via literary associations. Collective recollection of similar scenery in quotidian Indian life abounds. Bangalore’s famed Brigade Road, home cooking and street dogs fed by kind strangers are given a fresh perspective.

‘Funnily, the wife of a famous British painter recently wondered why I didn't paint Indian scenes. She interpreted a saree clad woman as Western because of their edgy, out the box form,’ recalls Amitabh.

“I never thought this was possible. This is totally different, unique and inspiring…It’s a new approach that has to be explored, it is truly intriguing,’ says Vanidas Mangathil, a Bangalore-based artist.

For further details about the event, visit istarah.art or contact bangaloreinternationalcentre.org

- Excerpt from press release written by Nukso Chakma