6 Jan 2015

Art in Interiors: Artistic Expressions with Glass

Glass is a versatile medium that finds multiple uses in not only exteriors of a building, but also as a decorative element in home interiors. Industrial grade or architectural glass is used in structural placements such as flooring, ceiling and walls, whereas factory made artifacts are extensively incorporated into functional spaces in the form of screens, decorative window panels, murals and furniture. The ability of glass to allow light to pass through making it appear transparent or translucent is a property which makes it so desirable and versatile.
Hand painted lampshade by Bharati Sagar, Art Scene India
Glass is also popular as a medium to extend ones creativity and use it artistically. Stained glass, reverse painting on glass, blown, fused and molten glass are just some of the techniques and forms in which glass is manipulated to enhance its look and produce stunning art.
Hand painted lampshade by Bharati Sagar, Art Scene India
Integrating glass in interiors allows one to experiment with space and light. The manner in which light interacts with glass creating striking effects is what makes this medium so special. The effect is highly dramatic when colours, textures and patterns are highlighted when light passes through it. When digital images, various pigments and at times other materials/media are embedded in the glass the outcome can be spectacular.

The vibrancy of pigments as visible on the surface of the glass makes it interesting to display paintings on walls, as well. At times glass is substituted with acrylic sheets with similar results. The lighting here should be appropriate to maximize the effect and to accentuate the vibrancy of multiple colours.
Reverse painting on acrylic by KG Subramanyan, Art Scene IndiaUnusual three dimensional forms in glass when incorporated in residential or commercial premises can be equally awe-inspiring. Large sculptures with different textures and colours create a great visual effect and must be placed in such a way to allow natural or artificial light to pass through to bring out the finer nuances and details embedded in the glass. Murals, sculptures and installations made of only glass or as a dominant component and mixed with other media can easily become the focal point of the décor.

Glass sculpture by Sisir Sahana, Art Scene IndiaStudio glass, which is essentially limited edition glass products produced by an artist, is a popular form of art that makes wonderful accent pieces. For instance, hand painted light fixtures on walls and table lampshades will beautifully light up the space.

Most glass artifacts are best displayed in a minimal environment to allow its beauty to come through.

Although, stained or coloured glass can also be displayed in traditional settings. Lighting is one of the most important criteria for displaying glass art. An ill-lit corner or wall will completely ruin the effect of a work with glass.

This article was published in The Times of India-The Address recently. Images of lampshades and interiors courtesy Bharati Sagar.

If you enjoyed reading this article, do share it using the social media widgets at the top and subscribe to receive regular updates from Art Scene India

Related Posts,

17 Dec 2014

Art Talk: 'Recollections Reconnections' by Artist SG Vasudev

Heavy textures gouge out a terrain that is undulating and sinuous, mapping a visual narrative in SG Vasudev's recent works. 

 

Rhapsody, Recollections and Reconnections by Artist SG Vasudev, Art Scene India, Bangalore art scene
I met the well-known artist SG Vasudev at the December ArtPark event at Ravindra Kalashetra, right before the opening of his solo show. The ArtPark is an initiative by the veteran artist to encourage interaction between artists and the general public in an informal environment, outside a gallery setting. It allows visitors to talk to artists, watch them draw and paint and even buy art directly from them. The lush green park with its tall trees, tucked in a secluded corner away from the bustling streets of Bangalore, forms a perfect setting to mingle with your friends and enjoy the art.

Rhapsody, Recollections and Reconnections by Artist SG Vasudev, Art Scene India, Bangalore art sceneWe discussed Vasudev’s upcoming show, ‘Recollections Reconnections’, Ananya Drishya - a monthly event where artists and other members present their work, and the possibility of a visual art festival in Bangalore. The driving force behind many public art initiatives in the city, Vasudev is an active crusader in his attempts to popularize art and to position Bangalore as a significant art destination. “We clearly need support from all quarters, and the government and corporates must come forward and encourage art and culture activities,” he passionately argues.

Vasudev’s latest series of paintings shows a perceptible shift from his earlier works. Heavy textures gouge out a terrain that is undulating and sinuous, mapping a visual narrative. The transformation is evident in his visual vocabulary with the granular and textural backdrop assuming greater significance.

The imagery has also undergone subtle changes, shelving the rigidity of the form and progressing towards the abstract. Similarly, the muted colour palette allows greater interplay with the topography, while the embellishments play out like musical notes. Animals, trees, human figures and other elements from his previous works are all there, but have evolved and morphed into figures and forms where their edges fade and amalgamate with their surroundings. A delightful rhapsody that plays out on canvas.
Rhapsody, Recollections and Reconnections by Artist SG Vasudev, Art Scene India, Bangalore art scene
Interestingly, Vasudev first builds layers of white pigment on canvas to form a thick textural background, and then adds colours, only to remove it systematically from most areas. An avid music aficionado, SG Vasudev listens to music as he paints and he likens the process of his painting to the notes in music. “It is similar to the ‘Raga, Taana and Pallavi’ process in Carnatic music, when a ‘raga’ plays out, it is complete by itself. But, when ‘taana’ starts, it initiates another element and when that completes, ‘pallavi’ starts, which normally has verses and it completes the concert,” he explains. And, so for Vasudev, it is the removal of colours which completes the painting.

The exhibition continues till January 10 at Gallery Sumukha.
   
If you enjoyed reading this article, do share it using the social media widgets at the top and subscribe to receive regular updates from Art Scene India

Related posts,

12 Dec 2014

Art in Interiors: Miniature Paintings in Home Décor

Traditional miniature paintings are exquisite and should be displayed in an uncluttered environment.


Miniature paintings, as the name suggests are small format artworks with innate historical and traditional linkages. In India, the miniature style of painting is believed to date back to the 16th century, although earlier accounts do exist. Miniatures are traditionally colourful, intricately executed and are typically done on various surfaces such as paper, wood, silk etc. Early works feature portraits, ceremonies, court and hunting scenes, stories from epics and mythology – different schools have their own peculiarities and styles. Some of the notable traditions of miniature painting in India are the Mughal, Rajasthani, Pahari and Deccani courts.
 Traditional miniature painting 'Krishna and Radha' by Nihâl Chand, used under creative commons license, Art in Interiors, Art Scene India
This form of art is delightful and immensely collectable. Paintings which are old have a great vintage and antique value. Often rare and infrequently sold during auctions or private sales, the minute artworks are heavily prized for their delicately detailed work and their historicity.

Miniature paintings are exquisitely intricate and have such fine brushstroke that they need to be displayed on uncluttered walls with minimal mounts and frames so as not to distract from the wonderful stories that are being articulated in the images. From a home décor perspective, miniature art with its historical themes are ideally suitable for traditional and ethnic décors. The effect can be enhanced by displaying them in a cluster and highlighting them with suitable lighting. Grouping them according to theme, period and school which they belong, to build a narrative would work best to heighten the impact.

Mughal miniature painting from the Hamzanama series, used under creative commons license, Art in Interiors, Art Scene IndiaTheir antique look and vintage appearance add much to their value and as long as they are in fairy good condition one need not tamper with them.

In case, one doesn’t have access to original miniature works, there are a few artists who can reproduce and also make their own small format paintings. These too can be grouped and put up as part of a traditional décor and displayed in a similar way. Corresponding antique furniture and other artifacts which complement such a décor scheme will be in harmony with traditional miniature art, as well.


This article was published in The Times of India-The Address recently. 

If you enjoyed reading this article, do share it using the social media widgets at the top and subscribe to receive regular updates from Art Scene India

Related Posts,

4 Dec 2014

Art News: Bhopal - A Silent Picture by Samar Jodha

Samar Jodha’s art installation is a grim reminder of the tragedy that continues to haunt Bhopal to this day.


December 2, 1984 is a date firmly etched in our minds. The Bhopal gas tragedy remains the largest industrial disaster in the world, when 42 tons of the deadly methyl isocyanate leaked from the Union Carbide plant poisoning more than half a million people and taking 30,000 lives.

Today, 30 years later the lethal gas continues to maim and kill, even as victims wait endlessly for justice and compensation. With the recent death of Warren M. Anderson, the chief executive officer of the UCC at the time, Bhopal disaster survivors are struggling to find any form of closure to the tragic event.
Art News: Bhopal - A Silent Picture by Samar Jodha, Art Scene India

Samar Jodha’s art installation is a grim reminder of the tragedy and a tribute to the innocent and faceless victims. An activist artist Jodha has been using photography and film for the past 20 years to address issues such as development, human rights and conservation.

"A striking document which will contribute to perpetuate the memory of an apocalyptic event," says Dominique Lapierre, the co-author of It Was Five Past Midnight in Bhopal about Jodha's project. Bhopal - A Silent Picture is a multimedia installation that simulates an environment with sound, light and temperature to recreate the sensory experience of the night of the disaster.
the project creates a simulated environment through sound, light and controlled temperature inside the container that takes the viewer through a proximate experience - See more at: http://www.hindustantimes.com/india-news/bhopal/bhopal-gas-tragedy-themed-art-installation-in-rome/article1-1292774.aspx#sthash.HlPsFiud.dpuf
the project creates a simulated environment through sound, light and controlled temperature inside the container that takes the viewer through a proximate experience - See more at: http://www.hindustantimes.com/india-news/bhopal/bhopal-gas-tragedy-themed-art-installation-in-rome/article1-1292774.aspx#sthash.HlPsFiud.dpuf
Art News: Bhopal - A Silent Picture by Samar Jodha, Art Scene India
The photographs in the multimedia installation have been shot at the Union Carbide plant, which has since been sealed. The leakage from that fateful night continues to poison the soil, air and water of its surrounding areas. 'The images portray an eerie emptiness – comparable to the Nazi gas chambers of Auschwitz. However, unlike Auschwitz, the perpetrators of this crime continue to walk free. The victims – largely poor people, continue to be denied fair compensation, adequate health care or legal redressal. Worse, they are forced behind a veil of indifference and enforced silence. This installation also hints at this state of affairs with a shroud bearing names and file numbers of some of the victims’ that envelops them in anonymity' elaborates Jodha's website. 

Jodha began working on the …Silent Picture project in 2004, when a UK-based TV channel asked him to take a few pictures of the site to mark 20 years of the tragedy. After completing his assignment for the channel, he began working independently there and has shown the resultant cargo container interactive art installation in the UK, US and Switzerland since 2009.
Jodha took his exhibit to London during the 2012 Olympics, as a mark of protest against Dow Chemical Company, the parent company of Union Carbide, acting as official partner of the Games.
- See more at: http://www.hindustantimes.com/india-news/bhopal/bhopal-gas-tragedy-themed-art-installation-in-rome/article1-1292774.aspx#sthash.HlPsFiud.dpuf
Jodha's art installation has traveled to Delhi, Mumbai and Chennai. Over 85,000 people visited this project in Mumbai in a week alone, making it the largest ever-viewed public art project in India.

In association with Amnesty International Italy, Jodha’s installation is on display at the Piazza Della Repubblica in Rome till December 6, 2014.